Here We Come A-Caroling
arr. Garrett Breeze
This festive arrangement brings new life to the classic English Christmas carol “Here We Come A-Wassailing,” a traditional song dating back to the mid-1800s. Originally sung door-to-door by carolers offering good wishes in exchange for warm hospitality, the tune captures the warmth and cheer of the holiday season. Garrett Breeze’s setting preserves the familiar melody while adding fresh harmonic colors, lively rhythms, and occasional unexpected twists that give the piece a bright, contemporary spark. His arrangement highlights the energy and joy of group singing, building moments of playful call-and-response and full ensemble “tutti” sections that evoke the feeling of a caroling party gathering strength as it moves from house to house. The result is a spirited and engaging work that blends tradition with modern flair—perfect for setting a festive tone and celebrating the communal joy of the holidays.
Whence Is That Goodly Fragrance?
arr. Mack Wilberg
This beautiful carol traces its origins to a 17th-century French melody known as Quelle est cette odeur agréable. Revered for its simple charm and luminous harmonies, the tune has long been associated with the quiet wonder of the Christmas story. Its text reflects the awe and reverence of those who witness the nativity, asking, “Whence comes this goodly fragrance flowing?”—a poetic image of divine mystery and humble devotion. Mack Wilberg’s arrangement elevates the traditional melody with the rich, warm choral textures for which he is widely known. Through expressive dynamic shaping, expanded harmonies, and elegant orchestration, Wilberg transforms the carol into a radiant, almost cinematic soundscape. Moments of intimate simplicity bloom into powerful full-ensemble statements, mirroring the journey from quiet contemplation to joyful celebration. The result is a stirring and reverent setting that captures both the purity of the original French carol and the grandeur of Wilberg’s signature style—offering listeners a moment of reflection amid the beauty of the holiday season.
Riu Riu Chiu
arr. Bryan Sable
Riu Riu Chiu is a vibrant and rhythmic villancico (Spanish Christmas carol) from the Renaissance period, most famously preserved in the 16th-century Cancionero de Upsala. Its title imitates the sharp call of a nightingale or kingfisher, a symbol of both protection and divine joy. The text celebrates the Nativity with imagery that is both spirited and deeply faithful, reflecting the rich musical tradition of Spanish sacred song. Bryan Sable’s arrangement captures the energetic pulse of the original while giving performers a fresh, contemporary framework. Crisp Latin rhythms, clear articulation, and driving percussive patterns create a lively sense of momentum, while moments of harmonic contrast highlight the carol’s expressive depth. Sable balances authenticity with modern accessibility, allowing the traditional melody to shine through a colorful and engaging texture. The result is an exciting fusion of historical tradition and modern choral writing—an exhilarating addition to any holiday program that invites listeners into the joyful, rhythmic celebration of the season.
I Wonder as I Wander
arr. Kyle Pederson
Originally collected and popularized by American folklorist and singer John Jacob Niles in the 1930s, I Wonder as I Wander is a haunting Appalachian carol that reflects themes of humility, mystery, and quiet devotion. Its text contemplates the wonder of Christ’s birth through the eyes of an ordinary observer, pairing simple, evocative language with a melody that feels both intimate and timeless. Kyle Pederson’s arrangement honors the carol’s haunting simplicity while enriching it with lush contemporary harmonies and gentle, flowing textures. His setting creates an atmosphere of stillness and reflection, allowing the solo lines and choral writing to drift like a winter wind across an open landscape. Subtle dissonances, sustained chords, and fluid phrasing give the piece emotional depth without overshadowing the purity of the melody. Pederson’s approach invites listeners to pause, breathe, and consider the sense of awe at the heart of the text—resulting in a moving and contemplative moment within any holiday program.
It’s the Most Wonderful Time of the Year
Edward Pola and George Wyle
Written in 1963 by songwriting duo Edward Pola and George Wyle, It’s the Most Wonderful Time of the Year quickly became one of the most beloved and enduring songs of the holiday season. First introduced to audiences through Andy Williams’s iconic recording, the piece captures the nostalgic spirit, excitement, and warmth that define this time of year for so many. The song’s cheerful melody and joyful lyrics paint a vivid picture of holiday traditions—gatherings with loved ones, festive celebrations, and the shared anticipation that marks the winter season. Its upbeat energy and timeless charm have made it a staple in holiday concerts, movies, and radio playlists for more than half a century. Whether performed in its classic style or in a fresh new arrangement, It’s the Most Wonderful Time of the Year continues to embody the magic and merriment of the holidays, inviting listeners to embrace the joy and togetherness that make this season truly special.
Holberg Suite, Op. 40 – IV. Air: Andante religioso
Edvard Grieg
Composed in 1884 to honor the 200th anniversary of Norwegian playwright and humanist Ludvig Holberg’s birth, Edvard Grieg’s Holberg Suite is a charming and heartfelt tribute written “in the old style.” Though Grieg was a Romantic composer, he crafted this suite in the spirit of 18th-century Baroque dance forms—an affectionate nod to the era in which Holberg lived. The fourth movement, Air: Andante religioso, stands as the expressive heart of the suite. Unlike the lively dances surrounding it, the Air unfolds with a gentle, hymn-like solemnity. Its gracefully flowing melody and warm harmonies create a serene, introspective atmosphere that evokes a sense of reverence and stillness. Grieg’s writing here is remarkably tender, balancing classical clarity with Romantic emotional depth. The movement’s calm, almost spiritual character offers a moment of reflection within the suite, showcasing Grieg’s gift for shaping simple musical lines into profoundly moving expressions. It remains one of the most beloved sections of the Holberg Suite, cherished for its quiet beauty and timeless elegance.
Bashana Haba’ah
Nurit Hirsh arr. John Leavitt
Written in 1970 by celebrated Israeli composer Nurit Hirsh with lyrics by Ehud Manor, Bashana Haba’ah (“Next Year”) has become one of the most beloved Hebrew songs of hope and renewal. Its text looks toward the future with optimism, imagining a time of peace, joy, and simplicity—children playing in the sun, families gathering without fear, and a world healed by time and compassion. John Leavitt’s arrangement preserves the gentle warmth of the original while enriching it with expressive choral textures and graceful harmonic writing. His setting captures the song’s tender spirit, allowing the flowing melody to unfold with sincerity and quiet uplift. Subtle dynamic shaping and elegant phrasing highlight the message at the heart of the piece: even in uncertain times, we can look forward to “next year” with courage and hope. The result is a moving and heartfelt work that speaks across cultures, offering a universal message of resilience, longing, and the enduring human desire for peace.
Hanukkah!
arr. Derric Johnson
Derric Johnson’s Hanukkah! is a lively and spirited celebration of the Festival of Lights, crafted with his signature blend of vibrant harmony, rhythmic energy, and expressive musical storytelling. Known for his work with a cappella ensembles and richly textured choral writing, Johnson brings fresh life to traditional Hanukkah melodies through creative arranging and bright, uplifting musical colors. The piece weaves together familiar themes associated with the holiday—joy, perseverance, community, and light—while offering singers and listeners an energetic musical journey. Syncopated rhythms, crisp articulation, and dynamic contrasts create an atmosphere of excitement and festivity. Johnson’s arrangement highlights both the solemn reverence of the Hanukkah story and the exuberant celebration that surrounds it. The result is a compelling and joyful work that honors Jewish musical tradition while showcasing Johnson’s distinctive choral voice—perfect for bringing warmth, sparkle, and celebration to any holiday concert.
I’ll Be Home for Christmas
Walter Kent arr. Mark Hayes
First released in 1943 and made famous by Bing Crosby, I’ll Be Home for Christmas quickly became one of the most poignant and enduring holiday songs of the 20th century. Written during World War II, the song gave voice to the longing of soldiers stationed far from home, expressing a heartfelt wish to return to loved ones “if only in my dreams.” Its gentle melody and emotional sincerity have allowed it to resonate across generations as a universal message of hope, nostalgia, and connection. In this arrangement, Mark Hayes brings his signature warmth and sophistication to the classic tune. Lush harmonies, expressive voicings, and elegant dynamic shaping transform the familiar melody into a rich choral tapestry. Hayes balances tender simplicity with moments of sweeping lyricism, allowing the ensemble to capture both the intimacy and the emotional depth at the heart of the song. The result is a beautifully crafted setting that highlights the timeless message of love, remembrance, and the enduring pull of home during the holiday season.
Away in a Manger
arr. Mack Wilberg
One of the most cherished carols of the Christmas season, Away in a Manger has long been a favorite for its gentle lullaby melody and tender depiction of the nativity. Although its exact origins remain uncertain, the carol emerged in the late 19th century and quickly became beloved throughout English-speaking countries for its simplicity, warmth, and childlike sincerity. Mack Wilberg’s arrangement brings new depth and radiance to this familiar tune through his signature blend of rich harmonies and luminous orchestration. Wilberg elevates the carol’s humble character with sweeping musical lines, expressive textures, and moments of quiet reverence that grow into full, glowing choral sonorities. His setting captures both the innocence of the original lullaby and the grandeur of the Christmas story it evokes. The result is a moving and beautifully crafted arrangement that invites listeners to rediscover the wonder, peace, and gentle joy at the heart of this timeless carol.
Jingle Bells
arr. Jack Gold and Marty Paich
Few holiday songs are as instantly recognizable or universally loved as Jingle Bells. Written by James Lord Pierpont in 1857, the tune was originally intended as a lively winter song rather than a Christmas carol. Over time, its cheerful melody and playful depiction of sleigh rides through the snow made it one of the most enduring and joyful staples of the season. This arrangement by Jack Gold and Marty Paich brings a fresh, jazzy flair to the classic. Known for their work in popular music and big band writing, Gold and Paich infuse the familiar tune with rhythmic swing, colorful harmonies, and stylish instrumental and vocal nuances. Their treatment transforms Jingle Bells into an upbeat, high-energy number filled with sparkle, charm, and musical wit. The result is a festive, toe-tapping celebration of holiday cheer—one that adds sophistication and fun to a beloved seasonal favorite, making it a highlight of any winter concert.
Méditation from Thaïs (Act II)
Jules Massenet
One of the most beloved orchestral interludes in the operatic repertoire, Massenet’s Méditation serves as a moment of profound reflection in his 1894 opera Thaïs. Set in ancient Alexandria, the opera tells the story of a courtesan, Thaïs, and the monk Athanaël, who seeks to guide her toward spiritual redemption. The Méditation occurs at the emotional turning point of the drama—Thaïs’s moment of inner transformation. Written for solo violin and orchestra, the piece unfolds as a lyrical, prayer-like meditation, expressing the character’s awakening with haunting beauty and deep sincerity. The soaring violin line, supported by shimmering strings and gentle harp, creates an atmosphere of luminous tranquility. Its long, arching phrases evoke both vulnerability and transcendence, capturing the struggle and hope within Thaïs’s spiritual journey. Outside the opera house, Méditation has become a concert favorite treasured for its expressive warmth, emotional depth, and exquisite melodic writing. It remains one of Massenet’s most recognizable and enduring works, inviting audiences into a moment of contemplation and radiant serenity.
Sleigh Ride
Leroy Anderson
Composed in 1948, Leroy Anderson’s Sleigh Ride has become one of the most iconic and beloved pieces in the winter repertoire. Remarkably, Anderson wrote the music during a heatwave, yet he captured the crisp sparkle and playful spirit of a snowy holiday scene with irresistible charm. From the jingling sleigh bells to the cheerful woodblock that mimics a horse’s trot, every detail evokes the joy and excitement of a brisk winter ride. Anderson’s gift for orchestral color shines throughout the piece. Its bright melodies, energetic rhythms, and whimsical effects—including the famous trumpet “horse whinny”—have made Sleigh Ride a perennial favorite for audiences of all ages. Lighthearted yet impeccably crafted, it exemplifies Anderson’s mastery of the short, descriptive orchestral showpiece. Whether heard in a concert hall, on the radio, or as part of holiday traditions, Sleigh Ride remains a festive celebration of winter fun and musical imagination—an enduring classic that continues to bring smiles year after year.
First Noel
arr. Dwight Bigler
One of the oldest and most beloved English carols, The First Noel likely dates back to the 17th or 18th century and has endured through generations for its elegant simplicity and heartfelt storytelling. The carol recounts the Nativity with warmth and wonder, its graceful melody unfolding like a gentle narrative passed from one voice to another. Dwight Bigler’s arrangement brings a fresh, expressive perspective to this timeless tune. Known for his rich harmonic language and sensitive choral writing, Bigler enhances the carol with luminous textures, flowing lines, and subtle dynamic shaping that deepen its emotional resonance. His setting preserves the purity of the original melody while enveloping it in a warm, contemporary choral sound that invites reflection and awe. The result is a beautifully crafted and deeply moving arrangement that honors tradition while offering listeners a renewed sense of peace, reverence, and hope—an elegant highlight for any holiday program.