WHAT IS FEATURE FOCUS
Feature Focus is a bold new multi-year initiative celebrating creativity, collaboration, and community.
Each season, Feature Focus will welcome world-renowned composers, performers, and artists - from music and dance to visual arts and beyond - for immersive multi-day residencies filled with new creations, inspiring performances, and meaningful connections.
And Feature Focus extends far beyond the concert hall. Guest artists will engage with local schools, colleges, and universities through workshops, classes, and open conversations, offering students of all ages the rare opportunity to learn directly from some of today’s most visionary voices in the arts. With Feature Focus, we invite the entire community to discover the joy, curiosity, and inspiration that the arts bring to our lives.
Edna Alejandra Longoria
Edna Alejandra Longoria is a Mexican-American composer born in McAllen, Texas, and raised in Reynosa, Tamaulipas, Mexico. She holds a Master of Music in Composition from the Bob Cole Conservatory of Music at California State University, Long Beach, and a Bachelor of Music in Composition from the University of Texas at San Antonio.
Edna draws inspiration from her Latin heritage as well as minimalist and classical traditions. Her works have premiered across the United States, Mexico, South America, Canada, and Europe.
Recent highlights include Cuatro ritmos, selected as one of the winners of E4TT’s 2025 Call for Scores; participation in the 2024 EarShot Readings organized by the American Composers Orchestra; winning SOLI Chamber Ensemble’s 30x30x30 Call for Scores in 2024; and receiving the 2024 Vibrant Shores Prize for her piece El Bailongo. Earlier honors include being named a winner of the 2019 LunArt Festival Call for Scores for Danzas Cautivas, and receiving the San Antonio NALAC Grant Award (2020) and the San Antonio Performing Arts Grant Award (2019).
In addition to concert music, Longoria is passionate about composing for film. Her scores have earned multiple accolades, including “Best Music Score” at the Chandler International Film Festival, “Best Original Score” at the Vegas Movie Awards, and “Best Soundtrack” at the New York International Film Awards.
Suite Connections
PROGRAM
Adriana Verdié (b. 1958) | Confluencia (2015/2025) | bass clarinet, violin, cello, piano
Edna Alejandra Longoria (b. 1988) | Serenata al más allá (Serenade to the Afterlife) (2025) World Premiere | clarinet, violin, cello, piano | with gratitude to Freda Flax for her support of this commission
- La Calaverita: “Death Crashes the Concert”
- El altar de abue
- El Baile de la Catrina (La Catrina's Dance)
- Camino de cempasúchil
- La fiesta del recuerdo
Gabriela Ortiz (b. 1960) | Lío de 4 (2017) | string quartet
Guest Artists: Emily Freudigman, viola | Matthew Zerweck, violin
— short pause —
Edna Alejandra Longoria (b. 1988) | Cuatro ritmos (Four Rhythms) (2020) | piano four hands
Guest Artist: Brad Beckman
Arturo Márquez (b. 1950) | Suite Arbórea (2023) | clarinet, string quartet
- Tonada Dulce (Arce)
- Árbol Caído
- Tonada Palo Fierro Terciopelo (Ébano)
- Tocanda Madera
- Tonada po Simpatía
- Motivo de Fuga
Guest Artists: Emily Freudigman, viola | Matthew Zerweck, violin
Serenata al más allá (Serenade to the Afterlife)
Serenata al más allá is a five-movement work that brings together Mexican culture, family memory, and the spirit of Día de Muertos. Each short movement portrays different aspects of the celebration. This piece is deeply personal, dedicated to my grandfather Hugo, who nurtured my creativity since childhood and continues to inspire much of my music. Writing this piece became a way to honor him and to celebrate the enduring connection between life, memory, and the beyond.
To further capture the imagery and emotion behind the music, I commissioned original artwork from San Antonio–based artist Drew Garces, whose illustrations accompany each movement and bring the world of Serenata al más allá vividly to life.
Adriana Verdié
Adriana Verdié de Vas-Romero received a master's degree in composition, summa cum laude, in 1997 from California State University, Long Beach, where she was elected Outstanding Graduate for the College of the Arts. In 2003, Dr. Verdié joined the theory/composition faculty at CSULB after receiving a Ph.D. in composition from the University of California, Berkeley. She also holds degrees in choral conducting and music education from the University of Cuyo in Argentina, where she was also the Outstanding Graduate for the Music Department, and an active conductor, theory instructor, composer, and arranger.
Gabriela Ortiz
Born to a musical family in Mexico City, Gabriela Ortiz has always felt she didn’t choose music—music chose her. Her parents were founding members of Los Folkloristas, a renowned ensemble dedicated to performing Latin American folk music. While playing charango and guitar with her parents’ group, she was also learning classical piano. Her formal studies began under esteemed Mexican composers Mario Lavista, Federico Ibarra, and Daniel Catán. Later, she continued her studies in Europe, earning a master’s degree at Guildhall School of Music and Drama under the guidance of Robert Saxton, and a doctorate in composition and electronic music from London’s City University under the guidance of Simon Emmerson.
Arturo Márquez
Arturo Márquez was born in Alamos, Sonora, Mexico in 1950. He began his musical training in La Puente, California in 1966, later studying piano and music theory at the Conservatory of Music of Mexico and composition at the Taller de Composici6n of the Institute of Fine Arts of Mexico with such composers as Joaquin Gutierrez Heras, Hector Quintanar, and Federico Ibarra. He also studied in Paris privately with Jacques Casterede, and at the California Institute of the Arts with Morton Subotnick, Stephen Mosko, Mel Powell, and James Newton.
SOLI Chamber Ensemble
SOLI Chamber Ensemble has been giving voice to 20th- and 21st-century contemporary chamber music since 1994, engaging audiences with unique performances, ensuring the future of new music through educational initiatives, and continually renewing their commitment to the music of living composers through performances and commissions. Recipient of a 2024 NEA Challenge America Grant, a 2020 Chamber Music America Classical Commissioning Grant, and the 2013 Chamber Music America and ASCAP Adventurous Programming Award, SOLI continues to champion new works, new contexts, and new audiences for the music of our time.
Brad Beckman
Dr. Brad Beckman is Assistant Professor of Piano Pedagogy and Group Piano Coordinator at the University of North Texas, where he teaches across all levels of piano pedagogy and keyboard skills. He earned his DMA at UNT under Joseph Banowetz, receiving the Mary M. Morgan Dissertation Award for Excellence in Performance. A former TMTA Collegiate Teacher of the Year, Beckman performs frequently with duo partner Dr. Carolyn True, with whom he has released two CDs and a Hal Leonard duet collection. His current research explores communication styles in teaching and the evolving role of artificial intelligence in piano pedagogy.
Emily Watkins Freudigman
Emily is Co-Founder of Camerata San Antonio. Emily holds degrees in viola performance from Southern Methodist University, the Peabody Conservatory, and the University of Michigan and was a Fellow at the Tanglewood Music Center and the Aspen Music Festival and School. She has studied chamber music with members of the Juilliard, Muir, Concord and Tokyo String Quartets, and she has performed with the Grand Rapids, Maryland, Fort Worth and Boston Symphony Orchestras. Emily was the Assistant Principal Viola of the San Antonio Symphony from 2002 to 2019.
Matthew Zerweck
Matthew Zerweck began his music studies at age 5, after watching Itzhak Perlman perform on the children’s television show, “Sesame Street.” After studying with several esteemed artist teachers, he entered the Eastman School of Music. He earned degrees from the Eastman School of Music (BM, MM, Performers’ Certificate). He served as teaching assistant to the world renowned violinist and teacher, Charles Castleman, and was awarded the John Celentano award for excellence in chamber music.
SOLI Season Support
SOLI Chamber Ensemble is deeply grateful to the many individuals who empower its vision of bringing new music to life. Together with institutional partners, supporters contribute to the vital cultural life of San Antonio and help to keep the arts – and artists – thriving.
Credits:
© 2025 SOLI Chamber Ensemble. All rights reserved. Photo credits | SOLI Chamber Ensemble: Josh Huskin | Gabriela Ortiz: Mara Arteaga