I have been painting for a very long time. I remember very clearly painting with this terribly smelly paint on this paper so sheer that you could rip it by just glaring at it. But I loved it. The awful smell, the terrible paper, the mess. I loved it all. And I've continued to love it into my adulthood. So for this subnarrative, I wanted to capture my love of painting in photographic form. I focused heavily on the technical process through snapshots of my tools, which are extensions of myself.
This section of the narrative took the longest because I ended up doing an entire painting for this narrative—which can be seen below and named "Sailor's Morning." To complete a painting from start to finish can take anywhere from a few hours, to a few days—and sometimes months or years! For this impressionistic emotional piece, I spent an entire afternoon with limited breaks to crank this out. Not because I didn't have time otherwise but because I wanted to capture this one particular moment in time. I might have completely different thoughts about the painting from session one to session two and I didn't want to bring outside forces onto this piece so I did it all at once.
The initial sequence contains more of the process