LocusSonus Soundmap — SAFE Acoustics Borneo Rainforest Audio — Cyberforest Japan — Nature Sound Map — Acoustic Atlas — Acoustic records of the underwater soundscape at PALAOA with links to audio stream files, 2005-2011 — McMurdo Oceanographic Observatory — British Library | Environment & nature recordings — The Acoustic Ecology Institute & related links — Astronaut photography of earth — Explore Oceans live cams — Macaulay Library of wildlife sound and video — NASA audio collection — Space audio — SoundImage Field Recording — In the Wild, Australian naturalist's log— Jan Eerla field recording weblog — Xeno-canto: sharing bird sounds from around the world — British Library Archival Sound Recordings — ROBERT GARFIAS recordings — Reel-to-reel field recordings from the Pitt Rivers Museum — UCSB Cylinder Preservation Project — Sound archives of the CNRS — UBU.com — Longplayer — Snow Monkey live webcam
Blog ishindenshin
Terebess Asia Online — Kink Gong field recordings — "The Concrete" ethnographic recordings — Les Cartes Postales Sonores — Rumpsti Pumsti ethnological music sales — INEDIT catalogue — Digital Himalaya project — La Librairie Sonore nature catalogue — Musique du Monde catalogue — Temple of the Way of Light — Shimano Archive —The Ancient Tradition of the Japanese Bamboo Flute
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MusicRepublic — World Music Village — Lolaradio — Oriental Traditional Music from LPs & Cassettes — Seance blog — Indian classical music on vinyl and cassette — Anthems for the Nation of Luobaniya — Madrotter-treasure-hunt — Traditional and Folk Music on 33rpm & Tapes — Folklore treasures — Super Cassettes Indonesia — Chucrute com Quiabo — The Wolf5th Archives — Download Classica — Electronic Orgy — The Chopiniano blog — The Avant Garde Project — 50 Watts — PENNSOUND— A Journey Round My Skull blogspot — Chaudron blogspot — BibliOdyssey — The Museum of Retro Technology— Book of fixed stars
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Nature
Music
Animals
People
Classical scores and writings
Stroh horn violins / Violinophones — The writings of Sri Aurobindo — The writings of The Mother — Jaap van Zweden Sharpens His Baton — Sergiu Celibidache teaching session, Curtis Institute 1984 — Karl Paulnack's 'Welcome address' to freshman parents at Boston Conservatory — Tyrus Wong, ‘Bambi’ Artist Thwarted by Racial Bias, Dies at 106 — Conversation with Whales — Musings From the Dalai Lama — Khenpo Tsultrim Gyamtso Rinpoche teachings — Chinese mountains — Elvin Jones interview, New Yorker 1968 — Tibetan Buddhist Tantric scores — Kodo Sawaki: "To you" — Can a dying language be saved? — Blue Beryl medical paintings — Acoustic Location and Sound Mirrors — Failed amplifier projects — Full text of Rilke Letters 1892-1910 & 1910-1926 — "The Translation Wars" — Rare Color Photos Of The Russian Empire At The Turn Of The Century — Cherokee alphabet — Chinese pigeon whistles and flutes — Rotating Kitchen — Komuso — Suizen — Franz Kafka International Airport — Sacred Text Archive — Maya Codices — Wilke Pipe Tobacco
Verne Edquist — Key Fan — Shifu Yan Lei — Gama Pehalwan — Hiah Park — Nicholas Winton — John Nash — American Indians, early photographs — Zalman Schachter-Shalomi — Domo Geshe Rinpoche — Thinley Norbu — Alexandra David-Neel — Hilma af Klint — Fabienne Verdier — Henrique Oliveira — Paul McCarthy — Ervin Nyíregyházi — Sergiu Celibidache — Tivadar Kosztka Csontváry — Kokichi Sugihara — Carmen Herrera — Stanislav Szukalski — Teching Hsieh — Charles Seliger — Hyman Bloom — Miyamoto Musashi — Evgenios Spatharis — Henry Varnum Poor — Goro Shimura — Eddie Aikau — Jean Colon — Carl Spitzweg — Erik Desmazières — Alberto Savinio — Maria Yudina — Hiltgunt Zassenhaus — Thích Quang Ðuc — Banksy — Robert Lang — Tatjana van Vark
People, places, times...
Komuso and Shakuhachi
Watazumi Doso Roshi
Marcus Aurelius — Kenzo Awa — Milton Babbitt — Balthus — Nikhil Banerjee — Paul Bley — Jean de La Bruyère — Black Elk — David Belle — Ingmar Bergman — William Blake — Jorge Luis Borges — Stan Brakhage — Emanuel Bronner — J. Bronowski — Charles Bukowski — Elliott Carter — Pablo Casals — Don Juan/Carlos Casteneda — Cergiu Celibidache — Paul Cezanne — Giorgio de Chirico — John Coltrane — Camille Corot — Salvador Dali — Taisen Deshimaru — Darwin — Lee Daoqun — Iancu Dumitrescu — Albert Einstein — George Eliot — Ralph Waldo Emerson — John Fante — William Faulkner — Morton Feldman — Richard Feynman — Nelson Freire — Andre Gide — E.H. Gombrich — Glenn Gould — Martha Graham — Gurdjieff — Thich Nhat Hanh — Knut Hamsun — Ernest Hemingway — Abraham Joshua Heschel — Werner Herzog — Hermann Hesse — Hokusai — Charles Ives — Alejandro Jodorowsky — John 7:6 — John 10:17 — James Joyce — Helen Keller — Pir Vilayat Inayat Khan — Paul Klee — J. Krishnamurti — Stanley Kubrick — Helmut Lachenmann — Bruce Lee — Norman Lewis — Gyorgy Ligeti — Lee Lozano — Rene Magritte — Joe Maneri — Thomas Mann — Gabriel Garcia Marquez — Miyamoto Musashi — Alice Neel — Ervin Nyiregyhazi — Philippe Petit — Camille Pissarro — Marcel Proust — Sun Ra — Bhagwan Shree Rajneesh — Arthur Rimbaud — Odilon Redon — Auguste Renoir — Rainer Maria Rilke — Mstislav Rostropovich — Theodore Rousseau — Elvin Jones — Watazumi Doso Roshi — Kodo Sawaki — Alfred Schnittke — Alexander Scriabin — Charles Seliger — Dmitri Shostakovich — Erwin Schrodinger — W. Eugene Smith — Harada Sogaku — Muso Soseki — Constantin Stanislavski — Gertrude Stein — Stendhal — Karlheinz Stockhausen — Leopold Stokowski — Igor Stravinsky — Shunryu Suzuki — Andrei Tarkovsky — Richard Taruskin — Nikola Tesla — Chogyam Trungpa — Chuang Tzu — Lao Tzu — Morihei Ueshiba — Vincent van Gogh — Leonardo da Vinci — Alan Watts — Walt Whitman — Iannis Xenakis — Zen Master Ying-An — Paramahansa Yogananda
Motoko Ikebe
Taisen Deshimaru
Mountains and Rivers Sutra
Hannya Shingyo... 
Cultivating the Empty Field (pdf)
RODOLPH BRESDIN, a rare monograph
The final chapter of Stanislavki's autobiography, My Life In Art.

"It is a long time since I have read with such a healthy appetite and at the same time with so much gluttony. Each new idea drawn from my reading, as soon as it enters my head, links up with something; it seems to me that I was waiting for it; its place was ready. I recall certain readings so voluptuously penetrating that I felt the sentence almost physically enter my heart. This evening I again felt that marvelous sensation." — Andre Gide

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