A dual exhibition of two artists, Made Duatmika and Wayan Suastama who share the same nostalgic yearning of home. A home that is no longer the same today as it was in childhood. Reminiscing on the memories of simpler and wiser times and cherishing the richness that it has given in shaping who they are.
Path of Time, a Returning Art Exhibition at Santrian Art Gallery from 10th January until 28th February 2025. Inaugurated by I Made Djirna.
Made Duatmika
Made Duatmika, born in Jembrana, May 19, 1970. He is a painter who graduated from ISI Denpasar. His work has won the Philip Morris Art Award (1998). Since he was a student, he has been diligent in participating in joint exhibitions. Among them are the “Force of 93” exhibition at the Bali Cultural Park (1996), the Philip Morris Indonesia Awards Exhibition in Jakarta (1998), the Joint Exhibition at the Hendra Gallery in Prana, Jakarta (2010), etc. He is a member of the art community Militanarts
Wayan Suastama
Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award.
Duatmika’s work is a vivid exploration of his childhood memories, coloured by the emotions of those formative years. His memories are filled with playfulness, curiosity, and a connection to the farming life. Water buffaloes, which hold cultural significance in Jembrana—where buffalo races are a post-harvest tradition—are central to his works. These buffaloes are not merely animals; they are imbued with human-like expressions and characteristics. A personification of sorts, that reveals an emotional affection and familiarity with this significant symbol of life in Jembrana.
This work depicts four buffaloes named like humans. They are mixed buffaloes used in a traditional Jembrana event, namely mekepung, a buffalo race that combines strength and agility. This harmony occurs between humans and animals in maintaining a culture that has been passed down from generation to generation. ~ Made Duatmika
This work is a reflection of my childhood spent in the village. Buffaloes are a means of mekepung (racing buffalo) and are also used to help plough the fields, which is a symbol of strength and hard work. The starlings that we often see perched on the backs of buffaloes are a representation of freedom of the imagination.~ Made Duatmika
Mekepung is a Balinese term that refers to a buffalo rolling around in the mud. This activity is often done by buffalo after a hard day of ploughing the fields. The swallows are also very comfortable. Finding a pleasant resting place on a buffalo’s back.~ Made Duatmika
This painting depicts a peaceful rural atmosphere full of beautiful memories with a gig (clikar) and buffalo as the main objects. It is also a symbol of the simplicity and joy of looking for grass for the buffalo using a gig as a means of transportation. ~ Made Duatmika
Mekepu is a Balinese term that refers to a buffalo wallowing in the mud. This activity is often done by buffalo after a hard day of ploughing the fields. Wallows are also a very comfortable and pleasant resting place for buffalo.~ Made Duatmika
The dominant blue colour in this work is a representation of the colour of the sky that always bears silent witness to all changes and the beauty of nature. The presence of birds and buffaloes further strengthens the impression of a life in harmony with nature.~ Made Duatmika
Matur Piuning (request) is a tradition in Balinese society that is full of philosophical and spiritual meaning. Literally means to convey a communication that contains the relationship between humans and nature, before carrying out activities that have an impact on the environment, such as ploughing rice fields or clearing land, we Balinese people always ask permission from the Almighty.~ Made Duatmika
This painting not only depicts the beauty of nature but also reflects a deep soul. Especially in sincere friendship, as well as the spirit of cooperation that is valued and so thick in rural communities. For me, childhood life is very enjoyable and full of joy. It is also the foundation for the formation of character that we develop into adulthood.~ Made Duatmika
The compositions in Duatmika’s art remain true to the two-dimensional style of traditional Balinese painting. Despite being a strong figurative expressionist artist, the roots in traditional aesthetics remain present. This series features linear, patterned compositions—often with simple dots—adding to the innocent and playful feel. Despite the simplicity, Duatmika’s mastery of layered colours and texture is a testament to a refined yet bold technique. His sensitive linework, visible across both canvas and rice paper, showcases his visual character and technical mastery, regardless of the medium.
Wayan Suastama’s Spiritual Connection
Wayan Suastama’s works also draw from his village upbringing in Tabanan, where the philosophies of Hulu and Teben, are central to his themes. His paintings blend these traditional ideas with freer, more imaginative explorations. The figurative elements merge in dreamlike scenes, where the decorative motifs of Balinese art are transformed through a visual reinterpretation that still carries its spiritual symbolism.
Gold, often used in Suastama’s work, represents not just material wealth but the preciousness of life’s interconnectedness. He captures a balance between movement and stillness in his works, representing the harmony between nature, humans, and animals. The recurring presence of the tiger, a creature now extinct in Bali, serves as a poignant reminder of the delicate balance within the ecosystem.
This work illustrates that when nature is always maintained, the ecosystem runs in an atmosphere full of peace and harmony, humans, plants and animals grow together happily and in harmony. ~ Wayan Suastama
Suastama’s work portrays a unity between the forest, animals, and human figures, often showing trees merging with figures and creatures. We are reminded that we as humans are not separate from Nature but intrinsically linked to it. Through his art, Suastama leaves a message of collective responsibility to protect nature and all living beings.
This painting tells about the harvest process as a form of gratitude for the blessings of the hard work of farmers, because the harvest is the result and hope that is realized in work and collaboration for a purpose, the spirit of togetherness is interwoven. Harmony with each other, both nature and other creatures. The figures and natural atmosphere give the impression of calm and cheerfulness, creating an atmosphere full of enthusiasm and happiness. ~ Wayan Suastama
Wayan and Made's works in this exhibition are rooted in their childhood memories, and express a shared sentiment in different yet complementary ways. Their collaboration highlights the enduring value of village life.
A yearning that is growing amongst many in our community. A longing that inadvertently serves as an indirect reminder that many of the things we miss are now harder to find. The simplicity taken for granted in the past, rooted in our cultural inheritance, is becoming more distant. Vestiges of a time gone, rather than the dependability of a home we always return to.
This work depicts strength and gentleness, the tiger as a symbol of strength while the blooming rose is a symbol of gentleness. A contemplation of the balance of life, where every element that seems opposite needs each other to create beauty. It appears with a background of vague but dynamic figures that create a harmonious and meaningful atmosphere. ~ Wayan Suastama
This painting tells about the harvest process as a form of gratitude for the blessings of the hard work of farmers, because the harvest is the result and hope that is realized in work and collaboration for a purpose, the spirit of togetherness is interwoven. Harmony with each other, both nature and other creatures. The figures and natural atmosphere give the impression of calm and cheerfulness, creating an atmosphere full of enthusiasm and happiness. ~ Wayan Suastama
This painting depicts how intelligent our ancestors were in maintaining human relations with nature and other creatures so that they remain in harmony with “Dewi Danu” (the figure of the goddess who protects water) who is none other than the existence of the energy force of the universe. This is how the ancestors made energy sacred by deifying it so that its continuity is maintained by Ritual cultural behaviour as a form of devotion and gratitude towards the universe ~ Wayan Suastama
This work is a reflection of the journey of life to appreciate the past, present and future. Time is like a tree growing, the process of change gives meaning to this life. Every second that passes is always meaningful, and often, our ancestors used to mark an event with the existence of a tree, either planted at that time or that has grown until now. ~ Wayan Suastama
Special Thank You
Made Duatmika and Wayan Suastama would like to extend a special thank you to these individuals and organisations for their support.
Santriyan Art Gallery, Sawidji Studio & Gallery, Ton city, Made Djirna, Made Dollar Astawa, Art Kenyem, Dian Dewi Reich, ManButur Suantara, Made Budiadnyana
Credits:
Copyright of Sawidji Studio & Gallery.