Shakespeare in London

That which we call a Rose course by any other word – or on any other continent – would smell as sweet.

Students in the Shakespeare in London course, taught by Assistant Professor for the Practice of Theatre and Drama Terence Hartnett, PhD, this spring, joined in the time-honored tradition of reading and revering English playwright William Shakespeare.

Throughout the on-campus course, the bardolaters thoroughly dissected five of the famous works – Romeo and Juliet, Hamlet, Titus Andronicus, Twelfth Night, and Antony and Cleopatra – reading and watching performances of each.

Analyzing themes evoked by the plays, the class sparked intense discussions about both the content and the manner in which the productions presented them.

"Thinking in an analytical sense about the media we absorb has been really valuable for me," said Victoria Stapf, a rising sophomore chemical engineering major. "The way Shakespeare said something might feel old-fashioned, but the themes are still heavily addressed today – maybe not in the same words, but in the same feelings and emotions."

This summer, the students took their learning across the pond to experience theater in a way that would have made Shakespeare proud.

They toured the iconic Globe Theatre, an authentic replica of the round, open-air venue where many of Shakespeare's plays were first performed.

In the accompanying museum, students even tried on props and costumes that had been worn in previous Globe productions.

The Globe Theatre's distinctive shape offers an unparalleled audience experience, which stunned the students during that evening's performance of "Romeo and Juliet."

"Not often does a piece of media or a performance bring a tear to my eye, but the performances of "Romeo and Juliet" and "Hamlet" were both emotionally strong enough for me to form a bond with these people and actually feel empathy and sadness within the first 45 minutes," said Eric Martin, a rising junior electrical engineering major.

Martin, who performed an adaptation of Shakespeare's plays in high school and is well-versed with the narratives of both "Hamlet" and "Romeo and Juliet", attributes it to the power of live performance.

"Having that almost personal connection of being there and [the actor] almost facing us brings it to another level," Martin said. "We know how it ends from the very start. But I was on the edge of my seat waiting for what comes next."

Theater ties people together, like a universal language. -Naomi Knudtson (ME, 2025)
"To be, or not to be – that is the question." -Hamlet, Act 3, Scene 1
The happy few band of scholars moved to Stratford-Upon-Avon, the town of Shakespeare's birth and death, both of which are thought to have occurred on April 23.

In Stratford-Upon-Avon, a professional from the Royal Shakespeare Company led the students in an acting workshop, where they practiced the emotional intricacies of delivering lines from Hamlet.

"We were doing back-to-back lines between two characters, working through dialogue without interacting with the other person, aside from our voices," said Martin.

All the world's a stage, and all the Rose-Hulman students merely players.

Stapf said, "Analyzing that scene and the relationship between the two characters really enhanced when we saw Hamlet that night. It gave us the opportunity to explore the characters in a more personal way."

The group also watched a Royal Shakespeare Company production of "Titus Andronicus" in a different venue, allowing them to compare interpretations, dramatic choices, and set and costume design both between productions and with what they had watched in class.

I just felt really drawn in. I was leaning over the banister in front of us the whole time, just really captivated. -Victoria Stapf

"Having these sort of discussions and being able to talk about these different aspects of the literature and the writing enhanced the trip and the class tenfold," said Martin. "It's just so insightful. It brings a lot to the performances we watched."

"Small cheer and great welcome makes a merry fest." - The Comedy of Errors, Act 3, Scene 1
Several of the students had originally learned about the course through their roles in Rose-Hulman's Shakespeare Club.

Founded three years ago by a group of students with a passion for the playwright, the Shakespeare Club reads, performs scenes and dialogues, and analyzes Shakespeare's works, with a field trip every quarter to a performance or related excursion. The club enriched their experiences in the course and in London, including at a performance of A Midsummer Night's Dream. A Midsummer Night's Dream was not part of the original course plan.

Stapf, the events coordinator for Shakespeare Club, found the production and worked with Hartnett to secure "immersive tickets" for the group.

They stood at stage level, and the actors wove around and between them to perform on enormous blocks right in front of the students.

"Experiencing all those different types of plays was also really beneficial to the learning of the trip because Shakespeare can take many different forms," said Knudtson. "It was really awesome to see the vastly different productions and ways Shakespeare can be interpreted."

The group also explored some of London's other cultural and educational attractions, including museums where they saw Shakespeare's First Folio, the first published edition of Shakespeare's works.
"I would not wish any companion but you." -The Tempest, Act 3, Scene 1

Strolling the streets of London and surrounding towns, the students were also transported directly into scenes from their favorite literary or film works. Some of these excursions indirectly paid homage to Shakespeare himself.

On a free day, Knudtson, Martin, and a small group of students visited the town of Bath, home of the ancient Roman baths, and for a brief stint, English novelist Jane Austen.

Austen herself greatly admired Shakespeare, often alluding to his work in much of her own.

The students toured the baths, enjoyed Regency-period high tea at a restaurant Austen frequented, and hiked around the Bath Skyline Walk.

"I think it was really special seeing where everything happened, walking in the footsteps of people that I've learned about in class," Knudtson said. "That was a very full-circle moment for me, both personally and academically."

"With mirth and laughter let old wrinkles come." -The Merchant of Venice, Act 1, Scene 1

Stapf chose to stay closer to London on her free day, but her chosen activity was not devoid of nods to the Bard.

She and her friends toured the Warner Bros. Studio to learn about the production of the Harry Potter film franchise.

The series contains several references to Shakespeare's work, including the popular character Hermione Granger, who is named after a character in A Winter's Tale.

Stapf also believes she passed another favorite author, V.E. Schwab, on a street in London, and Knudtson enjoyed reenacting scenes from Bedknobs and Broomsticks, Notting Hill, and Mary Poppins as she passed iconic locations from those films.

"Be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon 'em." -Twelfth Night, Act 2, Scene 5

These works of literature have achieved greatness because of the cultural introspection they provide. Shakespeare's words in particular have endured, drawing from universal human themes and experiences while presenting complex narratives open to interpretation. This sense of individualized connection united the students and theater aficionados they encountered, performing a timeless ode to Shakespeare's lasting legacy on the world.

"Good night, Good night. Parting is such sweet sorrow that I shall say good night til it be morrow." -Romeo and Juliet, Act 2, Scene 1

Photos provided by Rose-Hulman faculty and students.