Enhancing Performance Vocabulary Through Targeted Supplemental Materials

TBA | THURSDAY, JULY 24, 2025 | 3:30PM | CC217 AB

GOAL: Structure the music learning process to develop literacy skills as we prepare the piece—similar to the original purpose of études. The focus is not on perfecting a single piece through repetition, but on cultivating musical growth through targeted skill-building.

Score Study Scavenger Hunt

Key Centers

  • Play these key centers in whole notes with drones, also in a round
  • Sing these key centers in whole notes with drones
  • Chorale in the key center
  • Scales, arpeggios, scales in thirds, other technical exercises in these keys

Time Signatures

  • Utilize these time signatures in fundamentals
  • Ex: Remington in 3/4 time
  • Ex: Remington in mixed meter 3/4, 7/8, 3/4

Tempos

  • Have an intentional relationship between tempos in pieces and tempos used in fundamentals
  • Implement ritardandos, accelerandos, etc in fundamentals

Rhythms

  • Identify rhythm patterns that the bottom 20% of ensemble would not be able to sight-read with clapping & counting
  • Rhythm pre-evaluation: have students fill out written rhythm sheet to identify if they understand the rhythms in the piece
  • Identify notes followed by rests that students would not automatically sustain full value
  • Select a rhythmic measure from the piece to implement in a scale to build rhythmic repetition in addition to key center mastery and/or range development
  • Percussion rhythmic groove during fundamentals for extra reps

Articulations

  • Identify articulation style syllables needed
  • Identify fastest sequence of notes that need to be tongued
  • Make sure articulation speed exercises are in place to get tongue speed fast enough

Speed work: triplets are a great way to do this, even if triplets aren’t the actual rhythm utilized. Ex: If the fastest passage contains 16th notes tongued at 100 bpm, be able to articulate triplets at a tempo of at least 134 bpm

Dynamics

  • Are there any new dynamics introduced, such as forte-piano?
  • Are there long passages that need to be played at a dynamic beyond the mezzo piano through forte bubble?

Extended Long Tones at FF, PP, with crescendos, etc.

Range

  • Identify highest and lowest notes for each instrument
  • Create a plan as if you are the personal trainer to make sure the students are working towards this range daily. Ex: Eb Ascending
  • Transpose a tricky range excerpt down to a more tangible range, and then sequence the passage up until playable higher than written
  • Note name pre-evaluation: note name sheet that includes the entire range of the piece plus all applicable key signatures and accidentals. Do students know the name of every note in their music?

Technical Passages

  • Identify challenging and/or fast finger passages
  • Write out tricky technical passages to look easy. Ex: written in tiny 16th notes, convert to big quarter notes

Other ways to help reading comprehension of technically challenging excerpts:

  • Paper color: try light yellow (think legal pads!)
  • Notation: handwritten (slightly harder to read fonts lead to better retention)
  • Size: magnify 60% (better cognition)

Music Vocabulary

  • Provide students with a list of terms used and their definitions. Have students write the definitions in their music. Tell students there will be an “open book” vocabulary test while you are at TMEA

Soloists & Soli Sections

  • Utilize these individuals to model in call and response exercises
  • Balance fundamentals to the Soli Section

Rehearsal Letters

  • Organize your form analysis with rehearsal chunks for major sections of the piece
  • Use for rehearsal efficiency
Arch Map

Phrasing Notations

  • Identify Phrase Peaks
  • Preemptively determine where to breathe and where not to breathe
  • Show example of melody with no barlines at all, or barlines only at the end of the phrase
  • Lyrical etude with no barlines
  • Melody with original lyrics

Creating Lead Sheets

  • Sequencing: rhythm line, then add style, then add changing notes
  • Teach everyone the melody at the same time
  • Randall Standridge created many "Handy Dandy Randy Standy Concert Bandy Study Buddies" for his pieces. Here is an example:
  • MakeMusic Cloud offers a series of band pieces through Alfred and Belwin called "PerformancePlus+". These pieces all include bonus supplemental materials

PRACTICAL APPLICATION

Big Sky Round-Up by Robert Sheldon

Variations on "Scarborough Fair" by Calvin Custer

THANK YOU!

We hope you have a wonderful year!

Contacts:

  • Alicia DeSoto: desotoa@lisd.net
  • Chris Meredith: meredithc@lisd.net
  • Ross Patterson: pattersonr@lisd.net

Credits:

Created with images by rawpixel.com - "Ombre green watercolor style background illustration" • CarlosPS - "Bass clef on Partiture music sheet" • MarekPhotoDesign.com - "allegro - fast, quickly and bright music tempo" • Karl Allen Lugmayer - "Musiknoten auf Granit" • Fokke Baarssen - "Schaefler Switzerland, a couple walking hiking in mountains during sunset, man and woman sunset at the Ridge of the majestic Schaefler peak in the Alpstein mountain range Appenzell, " • Your Hand Please - "Sheet music notes on paper, artistic composition, musical harmony, creativity" • SerPhoto - "A magnifying glass on a stack of books on a blue wooden bookshelf with space for text" • mnimage - "Playing the trombone in orchestra " • mnimage - "Alphabet" • George Dolgikh - "Five stars on dark background" • David Carillet - "Spiral staircase resembling a fibonacci spiral with high contrast black, white, and gray shades" • Calin Tatu - "Wild horses roaming free in the mountains, under warm evening light" • George Dolgikh - "Fresh herbs on grey background" • bidaya - "Altes Notenblatt mit Gänseblümchen (Bellis perennis) auf Treibholz / Holz Hintergrund "