Susana Guerrero Viewing room

"My artwork comes from a daily experience where I create a contemporary mythology that puts on a same level the physical reality, the oneiric material of dreams, the subconscious, magic, the offering, the visible and the hidden reality that surround us. The process of making the artwork it’s like a ritual; the choice of every material, the configuration of every shape, of every element, brings a poetic meaning and symbolism to the artwork. The process as exorcism, the transformation of physical pain as purification of the body and the spirit, its laceration as the offering to the miracle of life." - Susana Guerrero

Selected Work - "Mother Consumed"

El Mal en Ti III / The Evil in You III, 2018, Woven electrical wire, enameled ceramic and leather 84 × 36 × 8 in.
(Left to Right:) (1) La Bomba De Leche / Milk Bomb, 2009, Glazed ceramic with gold, 9 1/2 × 9 1/2 × 9 1/2 in,\. // (2) Amarre, 2021, Glazed ceramic with gold, 16 × 8 × 5 in. // (3) Lampara / Lamp, 2018, Glazed ceramic with gold, 5 x 9 x 5 in.
Entranas Negras / Black Entrails, 2019, Glazed ceramic and palm tree thorns, (variable dim.)
La Mare dels Peixos, 2017, Woodcut on skin and enameled ceramics, 79 x 79 x 4 in.

Selected Work - "Siempre hay una / There is always a language that listens to you.."

"Taking as a reference some protective household objects that are used in Cuba, some tablets in which there is an eye and an open mouth with a tongue pierced by a dagger, which I call “There is always an eye that sees you, there is always a language that listens to you.” I begin to work with my mouth open and with my tongue pierced by pain. Speaking and working with what one is silent about, with everything that one swallows and remains in the interior space of the mouth. Mouth guarded by the defense of a circle of teeth, by a palate-labyrinth in which tangles of braids go from the mouth to the pharynx. What is kept silent, what is kept in this space becomes a knot." - Susana Guerrero
Siempre hay una lengua que te escucha; labios / There is always a language that listens to you; the tonsils, 2023, Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic, 94 1/2 x 21 1/2 x 8 in.
Siempre hay una lengua que te escucha; lengua / There is always a language that listens to you; the tongue, 2023, Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic, 55 x 31 1/2 x 12 in.
Siempre hay una lengua que te escucha; labios / There is always a language that listens to you; the lips, 2023, Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic, 23 1/2 x 31 1/2 x 12 in.

Selected Work - Sketches & Drawings:

El Mal en Mí, 2022, Ink on paper, 8.2 x 5.7 in.

About:

Susana Guerrero lives and works in Elche, Spain, where she was born in 1972. With artistic scholarships of residency she has expanded her studies in Greece, Mexico and Germany. The traditional mythologies form these cultures have marked her artistic practice which is fully imbued of the spirit of their mythologies, lives with them, making them her own and expressing herself through the characters and stories that populate her works.

Guerrero’s oeuvre has been been featured internationally in galleries and major institutions, including Museum of Antioquia, Medellín, Colombia; Center for Visual Arts Development, Havana, Cuba; Museo Arte Moderno Santo Domingo, Dominican Republic; Museum of Contemporary Art Guatemala; Cultural Center Spain, Miami; Instituto Cervantes, Tangier, Morocco; Haus der Kunst, Munich, Germany; Kunstlerhaus, Munich, Germany; Charpa Gallery, Valencia; Deposito 14 Gallery, Madrid; Punto y Línea Gallery, Oaxaca, Mexico; Gallery Casa del Lago, Mexico; D.F. Instituto México, Spain, Madrid; Kazni Nowej, Krakow, Poland; IVAM, Valencia; MACUF, A Coruña, Spain; Villa Serena, Bologna, Italy; Planetarium Gallery, Trieste, Italy; Museo Ciudad Juárez, Mexico; Museum of Contemporary Art Ibiza, Spain; University of Manzanillo Gallery, Mexico; National Calcography, Madrid; National Autonomous University of Mexico; International Center of India, New Delhi, India.

Guerrero’s work is in private and public collections, including Kunstlerhaus, Munich, Germany; National Autonomous University of Mexico; University of Cantabria; Museum of Contemporary Spanish Engraving, Marbella. Her most recent solo exhibitions of Guerrero include “RITO”, Tanzfakture, Cologne, Germany (2017); “Anatomy of a Myth”, Spanish Cultural Center, Miami (2017); “Anatomy of a Myth” 532 Gallery Thomas Jaeckel, New York (2016); “RITO” Museum of Contemporary Art of Elche, Spain (2016); “RITO”, Museum of Contemporary Art of Alicante, Spain (2016).

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