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Dream World

James Wilson Edwards was born in Washington DC in 1925, and trained in painting in both New York and Paris. He eventually settled in Princeton, New Jersey, and frequently exhibited work there. He was known for surrealist works that featured Black subjects and displayed messages of contemplation.

Caroline Helmer ‘27, Art History Major

J.W. Edwards, American (1925-1991), Dream World, c. 1963 Oil on canvas

Pictured here is a young boy in motion. His body is angled dynamically, with one arm extended forward and the other stretched behind him, suggesting evasive action. The muted, cool-toned background has a textured, abstract quality that contrasts with the more detailed figure. The use of blues, grays, and earth tones creates a moody, introspective atmosphere, possibly suggesting struggle, hardship, or an emotional undercurrent. The rough, layered brushstrokes in the background give an impression of movement or distortion, reinforcing the sense of urgency. By widening our lens and using a historical context, the painting might relate to greater themes of displacement and, later, resilience.

Beza Zelalem ‘27, African American Studies Major

The FOCUS series features one artwork per month from the Wake Forest University Art Collections. Reflections from students, faculty, staff and alumni are encouraged. To include your voice in the dialogue, contact artcollections@wfu.edu.

Mark H. Reece Collection of Student-Acquired Contemporary Art CU1963.11.1

Copyright retained by artist or artist representative.