Executive & Artistic Director
THOR STEINGRABER
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London Philharmonic Orchestra
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Principal Conductor
EDWARD GARDNER
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Violin
RANDALL GOOSBY
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Generously underwritten by the Colburn Foundation
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The London Philharmonic Orchestra’s Autumn 2024 U.S. tour is made possible with the support of Dunard Fund USA and the American Friends of the London Philharmonic Orchestra.
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Thu Oct 10 | 8pm
RUN TIME: 1 hour and 50 minutes,
including a 20-minute intermission
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An Interview With Randall Goosby
Program
TANIA LEÓN: “Raíces” (“Origins”)
BARBER: Violin Concerto, Op. 14, featuring RANDALL GOOSBY, violin
I. Allegro
II. Andante
III. Presto in moto perpetuo
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Intermission
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TCHAIKOVSKY: Symphony No. 4 in F minor, Op. 36
I. Andante sostenuto
II. Andantino in modo di canzona
III. Scherzo: Pizzicato ostinato — Allegro
IV. Finale: Allegro con fuoco
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London Philharmonic Orchestra
Principal Conductor | EDWARD GARDNER supported by Aud Jebsen
Principal Guest Conductor | KARINA CANELLAKIS
Conductor Emeritus | VLADIMIR JUROWSKI
Patron | HIS ROYAL HIGHNESS THE DUKE OF KENT KG
Artistic Director | ELENA DUBINETS
Chief Executive | DAVID BURKE
Leader | PIETER SCHOEMAN supported by Neil Westreich
Program Note
As is always the case, we mix the tried-and-true with the exciting and new when we are curating a season. It’s a balancing act — stretching our ears while comforting our souls, sparking new inquiry while re-examining the standards.
These many puzzle pieces are on display tonight: a debut soloist, the young violinist Randall Goosby, and a debut conductor at The Soraya, Edward Gardner. They perform a well-known crowd-pleaser, Tchaikovsky’s Symphony No. 4 (1878), as well as a new piece by Cuban composer Tania León, which opens the concert. In the middle, Samuel Barber’s violin concerto (1939) makes its first appearance on The Soraya stage. In short, tonight’s concert brings us nearly 150 years of music.
Gratefully,
Thor Steingraber
Executive and Artistic Director,
Younes and Soraya Nazarian Center for the Performing Arts
TESSA LARK, violin | JOSHUA ROMAN, cello | EDGAR MEYER, double bass
Master of the upright bass and five-time GRAMMY® Award-winner Edgar Meyer is joined by two like-minded artists — Tessa Lark and Joshua Roman — to pluck and bow original contemporary compositions by Meyer paired with Bach favorites. These seemingly unlikely collaborations have become Meyer’s signature, making him a stand-alone among American classical musicians.
London Philharmonic Orchestra
Strings
FIRST VIOLINS
Pieter Schoeman, Leader
Chair supported by Neil Westreich
Alice Ivy-Pemberton, Co-Leader
Vesselin Gellev, Sub-Leader
Kate Oswin
Chair supported by Eric Tomsett
Lasma Taimina
Chair supported by Irina Gofman & Rodrik V. G. Cave
Minn Majoe
Chair supported by Dr. Alex & Maria Chan
Martin Höhmann
Elizaveta Tyun
Cassandra Hamilton
Yang Zhang
Thomas Eisner
Chair supported by Ryze Power
Nilufar Alimaksumova
Amanda Smith
Alice Hall
Ronald Long
Chu-Yu Yang
SECOND VIOLINS
Tania Mazzetti, Principal
Emma Oldfield, Co-Principal
Sophie Phillips
Nancy Elan
Claudia Tarrant-Matthews
Ashley Stevens
Marie-Anne Mairesse
Fiona Higham
Chair supported by David & Yi Buckley
Sioni Williams
Kate Cole
Jessica Coleman
Alison Strange
Charlie MacClure
Jamie Hutchinson
VIOLAS
Scott Dickinson, Guest Principal
Lucia Ortiz Sauco
Katherine Leek
Laura Vallejo
Benedetto Pollani
Martin Wray
Chair supported by David & Bettina Harden
Jisu Song
Kate De Campos
Linda Kidwell
Lukas Bowen
Michelle Bruil
Julia Doukakis
CELLI
Kristina Blaumane, Principal
Chair supported by Bianca & Stuart Roden
Waynne Kwon
David Lale
Hee Yeon Cho
Nina Kiva
Helen Thomas
George Hoult
Sibylle Hentschel
Iain Ward
Jane Lindsay
DOUBLE BASSES
Kevin Rundell, Principal
Sebastian Pennar, Co-Principal
Hugh Kluger
George Peniston
Tom Walley
Chair supported by William & Alex de Winton
Laura Murphy
Charlotte Kerbegian
Lowri Estell
Woodwinds
FLUTES
Fiona Kelly, Guest Principal
Ellie Blamires
Stewart McIlwham
PICCOLO
Stewart McIlwham, Principal
OBOES
Ian Hardwick, Principal
Alice Munday
COR ANGLAIS
Sue Böhling, Principal
Chair supported by Dr. Barry Grimaldi
CLARINETS
Benjamin Mellefont, Principal
Chair supported by Sir Nigel Boardman & Prof. Lynda Gratton
Thomas Watmough
Chair supported by Roger Greenwood
BASSOONS
Jonathan Davies, Principal
Chair supported by Sir Simon Robey
Dominic Tyler
Brass
HORNS
Annemarie Federle, Principal
Chair supported by Victoria Robey CBE
Martin Hobbs
Mark Vines, Co-Principal
Gareth Mollison
Duncan Fuller
TRUMPETS
Paul Beniston, Principal
Tom Nielsen, Co-Principal
Anne McAneney
Chair supported by Peter Coe
TROMBONES
Mark Templeton, Principal
Chair supported by William & Alex de Winton
David Whitehouse
BASS TROMBONE
Lyndon Meredith, Principal
TUBA
Lee Tsarmaklis, Principal
Chair supported by William & Alex de Winton
Percussion & Piano
TIMPANI
Simon Carrington, Principal
Chair supported by Victoria Robey CBE
PERCUSSION
Andrew Barclay, Principal
Chair supported by Gill & Garf Collins
Karen Hutt
Jeremy Cornes
PIANO
Catherine Edwards
The LPO also acknowledges the following chair supporters whose players are not present at this concert: Sonja Drexler, Friends of the Orchestra.
Revered Broadway star Eva Noblezada will join the acclaimed Pacific Jazz Orchestra in its return to The Soraya after a sold-out debut concert with Broadway's Aaron Tveit that closed the 2023-24 Season. Purchase early for this concert so you don't miss out on this exclusive chance to see Chris Walden’s jazz orchestra return to the stage.
Noblezada joins this concert on a special weekend off from her role as Daisy Buchanan in The Great Gatsby on Broadway. Join us on Saturday, Feb. 1, 2025, on the first night of the fourth annual Jazz at Naz festival, for a one-night-only concert that you won’t want to miss!
Administration
Artistic Director | ELENA DUBINETS
Chief Executive | DAVID BURKE
Concerts and Planning Director | ROANNA GIBSON
Tours Manager | MADDY CLARKE
Concerts and Recordings Manager | GRAHAM WOOD
Glyndebourne and Projects Manager | MADELEINE RIDOUT
Concerts and Artists Coordinator | ALISON JONES
Concerts and Recordings Coordinator | DORA KMEZIĆ
Concerts and Tours Assistant | TOM CAMERON
Orchestra Personnel Manager | ANDREW CHENERY
Librarians | SARAH THOMAS, MARTIN SARGESON
Stage and Operations Manager | LAURA KITSON
Deputy Operations Manager | STEPHEN O’FLAHERTY
Deputy Stage Manager | BENJAMIN WAKLEY
Orchestra and Auditions Manager | HELEN PHIPPS
Finance Director | FRANCES SLACK
Education and Community Director | TALIA LASH
Development Director | LAURA WILLIS
Campaigns and Projects Director | NICK JACKMAN
Marketing and Communications Director | KATH TROUT
American Friends of the London Philharmonic Orchestra, Board of Directors
Royal Patron | HIS ROYAL HIGHNESS THE DUKE OF KENT KG
Honorary Chair | DR. CATHERINE C. HØGEL, chair, LPO
Honorary Director | HANNAH YOUNG, HM Consul General to New York
Directors | SIMON FREAKLEY, Chair
KARA BOYLE, Director
JON R. CARTER, Treasurer
JAY GOFFMAN, Director
ALEXANDRA JUPIN, Director
NATALIE PRAY MBE, Director
DAMIEN VANDERWILT, Director
MARC WASSERMANN, Director
ELIZABETH WINTER, Director
SUSAN A. MATHISEN, Administrator
LONDON PHILHARMONIC ORCHESTRA
The London Philharmonic Orchestra’s mission is to share wonder with the modern world through the power of orchestral music, which it accomplishes through live performances, online, and an extensive education and community program. Balancing a long and distinguished history with its reputation as one of the U.K.’s most forward-looking ensembles, the LPO is internationally recognized as a leading world-class orchestra demonstrating excellence, versatility, invention and inclusivity in all that it does.
Resident at the Southbank Centre’s Royal Festival Hall, the Orchestra also has residencies in Brighton, Eastbourne, Saffron Hall in Essex, and Glyndebourne Festival Opera, where it has been Resident Symphony Orchestra since 1964. The Orchestra also tours internationally, performing to sold-out audiences worldwide.
Founded by Sir Thomas Beecham in 1932, the Orchestra has since been headed by many great conductors including Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt, and Kurt Masur. In 2021, Edward Gardner became the Orchestra’s Principal Conductor, succeeding Vladimir Jurowski, who became Conductor Emeritus. Karina Canellakis is the Orchestra’s current Principal Guest Conductor and Tania León its Composer-in-Residence.
The Orchestra’s trailblazing digital content reaches millions worldwide: In 2023, the LPO was the most successful orchestra worldwide on YouTube, TikTok, and Instagram. It also broadcasts on television and radio, features on countless film soundtracks, and has released over 120 albums on its own record label.
In spring 2024, the Orchestra was the focus of a TV documentary series on Sky Arts, “Backstage With the London Philharmonic Orchestra.” During 2024-25, the Orchestra continues to offer digital streams of selected live concerts through its partnership with Marquee TV.
The London Philharmonic Orchestra is committed to inspiring the next generation of musicians: Its dynamic and wide-ranging Education and Community program provides first musical experiences for children and families; offers creative projects and professional development opportunities for schools and teachers; inspires talented teenage instrumentalists to progress their skills; and develops the next generation of professional musicians. Notable are its respected schemes developing the talent pipeline, with recent additions specifically for young instrumentalists and conductors from communities underrepresented in U.K. orchestras, and programs for adults and young people with disabilities or special educational needs.
In 2024-25, Principal Conductor Edward Gardner leads the Orchestra in an exciting season featuring much-loved favorites and brand-new works. The Orchestra also welcomes back Canellakis and Jurowski, as well as guest conductors including Mark Elder, Lidiya Yankovskaya, Robin Ticciati, and Kevin John Edusei. Throughout the season, the Orchestra explores the relationship between music and memory in its “Moments Remembered” series. The season also sees major tours to the U.S., Japan, China, and Europe, as well as a busy calendar of performances and community events in the Orchestra’s Brighton, Eastbourne and Saffron Walden residencies.
EDWARD GARDNER, Principal Conductor
Edward Gardner has been Principal Conductor of the London Philharmonic Orchestra since September 2021, recently extending his contract until at least 2028. He is also Music Director of the Norwegian Opera & Ballet, and Honorary Conductor of the Bergen Philharmonic Orchestra, following his tenure as Chief Conductor from 2015 to 2024.
In 2024-25 — his fourth season as Principal Conductor — Gardner conducts nine LPO concerts at the Royal Festival Hall, as well as a U.S. tour culminating at New York’s Carnegie Hall, and in major European cities including Vienna, Frankfurt and Hamburg. He is joined by superb soloists including Patricia Kopatchinskaja, Randall Goosby, Víkingur Ólafsson, Isabelle Faust and Augustin Hadelich, and presents works including Strauss’ mighty Alpine Symphony, Ravel’s Daphnis and Chloé, and Mahler’s Symphony No. 8 — an enormous end to the season.
Gardner opened his inaugural season as Music Director of the Norwegian Opera & Ballet with concert performances of Wagner’s The Flying Dutchman and Mahler’s Resurrection Symphony. He will then conduct two fully staged operas, Verdi’s La Traviata and Janáček’s The Cunning Little Vixen, following earlier productions of Bartók’s Bluebeard’s Castle, Zemlinsky’s A Florentine Tragedy and Verdi’s Un Ballo in Maschera.
In demand as a guest conductor, this season Gardner appears with the Bavarian Radio Symphony, Frankfurt Radio, Dallas Symphony, New World Symphony, Minnesota, Seoul Philharmonic, Sydney Symphony, and West Australian Symphony orchestras. Debuts in recent seasons have included the New York Philharmonic, the Philadelphia and Cleveland orchestras, the San Francisco Symphony, Staatskapelle Berlin, Berlin Radio Symphony, and Vienna Symphony orchestras. In the U.K., he has had longstanding collaborations with the City of Birmingham Symphony Orchestra, where he was Principal Guest Conductor from 2010 to 2016, and the BBC Symphony Orchestra, whom he has conducted at both the First and Last Night of the BBC Proms.
In spring 2025, Gardner returns to London’s Royal Opera House to conduct the world premiere of Mark-Anthony Turnage’s Festen, and in June he returns to the Bavarian State Opera for Rusalka, following his debut with Peter Grimes in 2022 and Otello in 2023. Music Director of English National Opera for eight years (2007–15), Gardner has also built a strong relationship with New York’s Metropolitan Opera, with productions of The Damnation of Faust, Carmen, Don Giovanni, Der Rosenkavalier, and Werther. Elsewhere, he has conducted at La Scala, Lyric Opera of Chicago, Glyndebourne Festival Opera, and Opéra National de Paris.
In February, the LPO Label released a recording of Berlioz’s The Damnation of Faust with Edward Gardner, recorded live in February 2023 (LPO-0128). This follows his recording of Tippett’s The Midsummer Marriage, which won the 2023 Gramophone Opera Award. A second Tippett disc (featuring Symphony No. 2 and the Piano Concerto with Steven Osborne) is planned for release in November. In spring, Gardner and the LPO were the subject of behind-the-scenes TV documentary series “Backstage With the London Philharmonic Orchestra” on Sky Arts.
A passionate supporter of young talent, Gardner founded the Hallé Youth Orchestra in 2002 and regularly conducts the National Youth Orchestra of Great Britain. He has a close relationship with the Juilliard School of Music, and with the Royal Academy of Music who appointed him their inaugural Sir Charles Mackerras Chair of Conducting in 2014.
Born in Gloucester, England, in 1974, Gardner was educated at the University of Cambridge and the Royal Academy of Music, and he gained early recognition as Assistant Conductor of the Hallé and Music Director of Glyndebourne Touring Opera. His many accolades include the Royal Philharmonic Society Conductor of the Year Award (2008), a Laurence Olivier Award for Outstanding Achievement in Opera (2009), and an OBE for Services to Music in The Queen’s Birthday Honours (2012).
Gardner’s position at the LPO is generously supported by Aud Jebsen.
RANDALL GOOSBY, Violin
American violinist Randall Goosby’s own words sum up perfectly his commitment to being an artist who makes a difference: “For me, personally, music has been a way to inspire others.”
Signed exclusively to Decca Classics in 2020, at the age of 24, Goosby is acclaimed for the sensitivity and intensity of his musicianship alongside his determination to make music more inclusive and accessible, as well as bringing the music of underrepresented composers to light.
Highlights of Goosby’s 2024-25 season include debut performances with the Chicago Symphony/Sir Mark Elder, the Minnesota Orchestra/Thomas Søndergård, National Arts Centre Orchestra/Alexander Shelley, Montreal Symphony Orchestra/Dalia Stasevska, and Netherlands Radio Philharmonic/Michele Mariotti. He joins the London Philharmonic Orchestra on their U.S. tour led by Edward Gardner.
Goosby returns to the Los Angeles Philharmonic, Philadelphia Orchestra, Cincinnati Symphony, Detroit Symphony and Utah Symphony. He appears in recital across North America and Europe as soloist as well as with the Renaissance Quartet.
Goosby was First Prize Winner in the 2018 Young Concert Artists International Auditions. In 2019, he was named the inaugural Robey Artist by Young Classical Artists Trust in partnership with Music Masters in London. In 2020, he became an Ambassador for Music Masters, a role that sees him mentoring and inspiring students in schools around the United Kingdom.
A former student of Itzhak Perlman and Catherine Cho, he received his bachelor’s, master’s and artist diploma degrees from the Juilliard School. He is an alumnus of the Perlman Music Program and studied previously with Philippe Quint. He plays the Antonio Stradivarius, Cremona, “ex-Strauss,” 1708 on generous loan from Samsung Foundation of Culture.
An Interview With Randall Goosby
You Belong Here
This is your opportunity to belong to something special. Our 2024-25 Members enjoy exclusive experiences, such as the Member Appreciation Night for all Members, special events and artist meet-and-greets (Silver Members and above), private pre-performance artist salons (Silver Members and above), our festive holiday party, the annual Director’s Dinner in 2025 (Platinum Members), and more — as well as priority access to your preferred seats, your very own Members Only Seating Section, and exclusive savings when you select five or more performances. Most importantly, Member benefits are valid all season.
Beyond the benefits, Members drive our mission to present the highest caliber artists who captivate, inspire, and transport our audiences. Here, Members are part of a growing community of arts lovers connected by the joy of shared human experience. Here, Members belong.
About Us
The Younes and Soraya Nazarian Center for the Performing Arts is an award-winning, 1,700-seat theater that opened in 2011 and was designed by HGA Architects and Engineers. In 2017, a transformative gift by Younes and Soraya Nazarian dubbed the venue The Soraya (formerly the Valley Performing Arts Center). A vibrant performance program has served to establish The Soraya as the intellectual and cultural heart of the San Fernando Valley and its 1.8 million residents, and further establish The Soraya as one of the top arts companies in Southern California.
The Soraya’s 2024-25 Season boldly advances the immersive sound of big orchestras; the free flow of jazz; an array of dance; and a cultural bounty drawn from the well of world traditions. The Soraya continues its vigorous commitment to innovating, excelling, and amplifying access by offering a wide variety of performances that reflect LA’s many distinctive communities and featuring new and original work from the Los Angeles region as well as artists from around the world.
Located on the vibrant campus of the California State University, Northridge, The Soraya and the Mike Curb College of Arts, Media, and Communication share an integral link that enhances student opportunities in the arts and performing arts. This partnership fosters academic opportunity and artistic excellence, elevating the talents of CSUN’s students.
A $5 million contribution from record producer and former California Lieutenant Governor Mike Curb was pivotal in ensuring The Soraya was completed and opened in 2011. For his founding support and in acknowledgment of the integral relationship between the Mike Curb College and The Soraya, Curb is recognized as one of The Soraya’s Cornerstone Benefactors. The relationship between The Soraya and the Mike Curb College continues to grow, with robust offerings for students through master classes, student tickets, concerts of student ensembles, and students appearing alongside renowned artists, such as Wynton Marsalis, Aida Cuevas, and Martha Graham Dance Company.