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Executive & Artistic Director

Thor Steingraber

________

Mahler Chamber Orchestra

Yuja Wang, piano and director

Matthew Truscott, concertmaster and leader

Sat Apr 25 | 8PM

Run time: approximately 1 hour and 35 minutes including a 20-minute intermission ________ Generously underwritten by the Colburn Foundation ________ ProgramProgram Note

Musicians

Mahler Chamber Orchestra

Yuja Wang

Matthew Truscott 

________

The Soraya

Our Supporters | The Soraya Team

Program

CHOPIN Piano Concerto No. 1, Op. 11 I. Allegro maestoso II. Romanze — Larghetto III. Rondo — Vivace ________ Intermission ________ PROKOFIEV Symphony No. 1 in D major, Op. 25 I. Allegro II. Intermezzo — Larghetto III. Gavotte — Non troppo allegro IV. Finale — Molto vivace   TSFASMAN Jazz Suite for Piano and Orchestra I. Snowflakes — Allegro vivace II. Lyrical Waltz  III. Polka IV. Career — Presto

Musicians

Piano

Yuja Wang

Violin 1

Matthew Truscott* (United Kingdom) May Kunstovny (Austria) Hildegard Niebuhr-Candan (Germany) Alexandra Preucil (United States) Tim Summers (United States) Clara Scholtes (Germany) Elena Rindler (Germany) Elvira van Groningen (Netherlands) Hwa-Won Rimmer Pyun (Germany) Mona Burger (Germany)

Violin 2

Johannes Lörstad** (Sweden) Michiel Commandeur (Netherlands) Fjodor Selzer (Germany) Christian Heubes (Germany) David Moosmann (Germany) Beatrice Colombis (Italy) Hayley Wolfe (United States) Jana Lebrova (Czech Republic)

Viola

Béatrice Muthelet** (France) Yannick Dondelinger (United Kingdom) Frida Siegrist Oliver (Norway) Sofie van der Schalie (Netherlands) Aline Saniter (Germany) Justin Caulley (United States)

Violoncello

Frank-Michael Guthmann** (Germany) Stefan Faludi (Germany)  Philipp von Steinaecker (Germany) Clara Grünwald (Germany) Katharina Kühl (Germany)

Double Bass

Sebastian Breidenstein** (Germany) Johane Gonzalez Seijas (Spain) Jon Mikel Martínez Valgañón (Spain)

Flute

Chiara Tonelli (Italy) Júlia Gállego Ronda (Spain)

Oboe

João da Silva (Portugal) Iria Folgado (Spain)

Clarinet

Vicente Alberola Ferrando (Spain) Jaan Bossier (Belgium)

Bassoon

Mathis Stier (Germany) Chiara Santi (Italy)

Horn

Juan Manuel Gomez Gonzalez (Spain) Gerard Sanchez Safont (Spain) Aurora Kuo (Taiwan) Lily Kern (United States)

Trumpet

Per Ivarsson (Sweden) Florian Kirner (Germany)

Trombone

Carlos Jiménez Fernández (Spain) Jürgen Oswald (Austria)

Timpani & Percussion

Rodolphe Théry (France) Rizumu Sugishita (Japan) Christian Miglioranza (Italy) ________ * Concertmaster ** Section Leader

Securing The Soraya’s Future

Support the Thor Steingraber Fund for Artistic Innovation to help us continue to bring new works, world premieres, and bold collaborations to life

In the fall of 2015, my family and I attended a performance at the Valley Performing Arts Center at CSUN. My son, David, had received his undergraduate degree from CSUN many years prior, and we were pleased to see how the campus had grown. The recollections that stand out most in my memory from that evening were the extraordinary venue, its artistic excellence, and my first time meeting Thor Steingraber. For those reasons, my family decided in 2017 to invest in The Soraya’s future and long-term sustainability. In the 10 years since, we have come to know Thor and his vision. Through his leadership, we have witnessed values we so admire come to life on this stage — in the artists, their work, and the experiences they create for Los Angeles’ many communities and for CSUN students. Thor’s dedication and imagination serve so many, and it is my wish that his legacy be preserved. In honor and recognition of Thor’s accomplishments, I am pleased to announce a new fund supporting the art and artists who will continue this work: the Thor Steingraber Fund for Artistic Innovation. From the performance that first introduced my family to this majestic venue a decade ago, to the many moments of beauty and inspiration that have graced its stage since, we have Thor to thank. I hope you will join me and my family in supporting this effort — to ensure that these performances, and the spirit they embody, thrive long into the future.

Soraya Sarah Nazarian

Opolo Wines is a proud sponsor of The Soraya.
A TASTE OF PASO ROBLES WINE COUNTRY

Program Note

I typically use this space to write a few words about the artists who will appear in tonight’s performance. For this occasion, the final performance of my tenure, I’d like to reverse the lens and focus on The Soraya’s audience. For the past 12 years, at nearly 600 performances, we have built a diverse, loyal, and enthusiastic following, one that any performing arts center might envy.   Audiences travel to The Soraya from across California, including San Diego, the Central Valley, and the Bay Area. The Soraya’s jazz festival has grown annually with both in-person audiences and live-stream viewers, from locations as far away as Italy, Argentina, and India. Closer to home, a growing group of individuals, Soraya Members, have redefined loyalty, many attending a dozen or more performances per year.     In 2025, thanks to our robust K–12 Music and Arts Education programs as well as the Student Ticket Fund, nearly 15,000 students attended performances. Families filled the theater daily during the holidays, especially for Nochebuena, the annual Soraya production centering Mexican culture and music of the season.   For the past three years, The Soraya’s ticket buyers have grown to become a more genuine representation of Los Angeles, with 40–45% being non-White. The Valley’s vibrant and varied communities are well-represented here as well, including Filipino, Indian, Asian, and Jewish populations.     None of this would happen without excellent programs and world-class artists. However, that’s where the work begins, not ends. Our overarching goal has been to build an audience of aficionados and first-timers alike, a cross-section of Los Angeles from all generations and backgrounds, each of whom shares an armrest with a stranger. From there, a community has been built.    No doubt, with each future season, that community will grow. I thank you for your leading role in the journey thus far, and more so, I hope we can count on your continued presence and support. Meanwhile, please know that I am endlessly grateful for these 12 years. Not for a single moment did I take for granted the responsibility of running this venue, envisioning its programs, and serving its communities. Thank you.

Gratefully,

Thor Steingraber

Executive and Artistic Director, Younes and Soraya Nazarian Center for the Performing Arts

Mahler Chamber Orchestra

Since its founding in 1997, the Mahler Chamber Orchestra has established itself as one of the world’s leading chamber orchestras. Working as a “global collective,” the Orchestra is led by its members in collaboration with its Berlin-based management office. The musicians, who come from around 20 different countries, unite for each tour or project. The chamber music dialogue and unanimous act of listening shape the Orchestra’s sound; it’s a philosophy inspired by the Orchestra’s founding mentor Claudio Abbado that the ensemble calls The Sound of Listening.   In past seasons, the Orchestra has performed with conductors Sir Simon Rattle, Maxim Emelyanychev, Tugan Sokhiev, Anja Bihlmaier, and with its Artistic Advisor Daniele Gatti, among many others. The Orchestra is also known for its performances without a conductor; artistic partners Yuja Wang and Mitsuko Uchida, with whom the orchestra goes on tour several times a year, often lead from the piano.    The Orchestra maintains residencies in Berlin, Salzburg, Austria, and Lucerne, Switzerland; this year, it succeeds the Berlin Philharmonic Orchestra at the Baden-Baden Easter Festival. In 2024, the Mahler Chamber Orchestra assumed the role of Artistic Director of Musikwoche Hitzacker.   The Orchestra continually explores new musical and social initiatives. Its program Feel the Music introduces music to deaf and hard-of-hearing individuals, while the Mahler Chamber Orchestra Academy allows orchestra members to share their expertise with the next generation of musicians. Additionally, the Orchestra’s school concerts foster introspection through the power of music. It has also co-developed a series of extended-reality concert formats. Since 2024, some of the chamber music pieces produced in XR have been available in the Mahler Chamber Orchestra app for Apple Vision Pro.

Yuja Wang

“I firmly believe every program should have its own life, and be a representation of how I feel at the moment.” — The New York Times

Director and pianist Yuja Wang is celebrated for her charismatic artistry, emotional honesty, and captivating stage presence. She has performed with some of the world’s most venerated conductors, musicians and ensembles, and is renowned not only for her virtuosity, but also for her spontaneous and lively performances. Wang was born into a musical family and began studying the piano at the age of 6. She received advanced training in Canada and at the Curtis Institute of Music under Gary Graffman. Her international breakthrough came in 2007, when she replaced Martha Argerich as soloist with the Boston Symphony Orchestra. Two years later, Wang signed an exclusive contract with Deutsche Grammophon and has since established her place among the world’s leading artists, with a succession of critically acclaimed performances and albums.  Wang’s recordings have garnered multiple awards, including six Grammy nominations and her first Grammy win for Best Classical Instrumental Solo with her 2023 release of “The American Project.” For this she also won an Opus Klassik award in the concerto category.  As The New York Times observed, Wang “has made a career out of dazzling displays of virtuosity,” perhaps most notably when she recently teamed up with Yannick Nézet-Séguin and The Philadelphia Orchestra to perform all four of Rachmaninoff’s piano concerti — followed by his Rhapsody on a Theme of Paganini — in a single concert. This was a feat never before attempted at Carnegie Hall, and one she pulled off with both clarity and poetry — and then came back for more with encores.  As a chamber musician, Wang has developed long-lasting partnerships with several leading artists. She recently embarked on a highly anticipated international duo recital tour with pianist Víkingur Ólafsson with performances in world-class venues across North America and Europe, where she once again was able to showcase her flair, technical ability and exceptional artistry in a wide-ranging program. At Carnegie Hall’s 2025–2026 Season opening night, she play-directed Tchaikovsky Piano Concerto No. 1.

Matthew Truscott

Matthew Truscott is a versatile violinist who shares his time between period instrument music and modern performance, appearing with some of the finest musicians in both fields. He is concertmaster of the Mahler Chamber Orchestra and one of the leaders of the Orchestra of the Age of Enlightenment.   In demand as a guest leader, Truscott’s engagements in this capacity have included projects with the English National Opera, Dutch National Opera, the Netherlands Chamber Orchestra, the Budapest Festival Orchestra, The English Concert, Le Concert d’Astrée, The King’s Consort, and Arcangelo. He is also leader of Classical Opera, St. Jamess’ Baroque, and the Magdalena Consort. A keen chamber musician, Truscott’s recent recordings have included: a set of Purcell Trio Sonatas with Retrospect Trio; a disc of Bach chamber music with Trevor Pinnock, Emmanuel Pahud and Jonathan Manson; and one of Haydn Piano Trios with Richard Lester and Simon Crawford-Phillips. Truscott teaches baroque violin at the Royal Academy of Music in London.

The Soraya

The Younes and Soraya Nazarian Center for the Performing Arts (The Soraya/Producer) is an award-winning, state-of-the-art 1,700-seat theater that opened in 2011 as the Valley Performing Arts Center. Through a transformative gift by Younes and Soraya Nazarian, the venue was renamed The Soraya in 2017. The Soraya is located on the campus of California State University, Northridge, the intellectual and cultural heart of the San Fernando Valley.

Executive and Artistic Director Thor Steingraber, in his 12th year leading the organization, sums up what makes The Soraya a central piece of Los Angeles arts and culture. “At The Soraya, we hold a high standard of excellence for every performance from a vast array of artistic disciplines, and we hold steadfast to our commitment to the value and impact of the performing arts in community-building, for the Valley’s 1.8 million residents and beyond.”

The Soraya’s 2025–26 Season is a journey through the expansive sounds of orchestras, the freestyle vibes of jazz, the innovations of dance luminaries, and a vast array of global voices. The Soraya continues its vigorous commitment to excelling, innovating, and amplifying access for Valley residents, students, and arts lovers across Southern California.