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The Glenn Glasow Fellowship Concert

Cal State East Bay Recital Hall, MB 1055 – Tuesday, May 12, 2026

The Glenn Glasow Fellowship is supported by the Glenn Glasow and Yoshiko Kakudo Endowment in the Music Department of CSUEB. It annually supports one student in music composition, providing support for student fees as well as the performance of a commissioned work on the Glenn Glasow Fellowship Concert, a series established in 2003 to honor Dr. Glasow’s memory.

PROGRAM

Butterfly (2024)

Nicky Sohn (b. 1992) Korea / USA

Behold the Sea (2022)

Erika Oba (b. 1984) USA

Demagnification (2026)

Patricio Castellón Serrato Recipient of the 2025-2026 Glenn Glasow Fellowship

Indochine (2024)

Nino Lastimosa

Emerita (2025)

Julian Garcia

String Quartet No. 3, "Mongolian Dance" (2018)

Meilina Tsui (b. 1991) Kazakhstan / Hong Kong / USA

performed by

DEL SOL QUARTET

Benjamin Kreith, violin Hyeyung Sol Yoon, violin Charlton Lee, viola Kathryn Bates, cello

Honoring our Retirees

Jeffrey Sykes and Dann Zinn

Acclaimed by the Frankfurter Allgemeine Zeitung as “a commanding solo player, the most supportive of accompanists, and a leader in chamber music,” pianist Jeffrey Sykes has performed throughout the United States, Canada, Mexico, and Western Europe. He has garnered praise for his interpretations of music both old and new: The San Francisco Examiner praised his appearance with the San Francisco Contemporary Music Players as “a tour-de-force performance [that was] the evening’s major delight.” And The Well-Tempered Ear commented that “Mr. Sykes displayed the ideal Chopin touch and tone. His fleet fingers captured the lightness of the bel canto singing style in Chopin, with its filigree runs and quickly turned ornaments, all making the hard sound effortless and graceful.” Together with violinist Axel Strauss and cellist Jean-Michel Fonteneau, Sykes is a founding member of the San Francisco Piano Trio. Praised for its virtuosic ensemble playing throughout a wide repertoire ranging from the trios of Haydn and Beethoven to those of Leon Kirchner and Astor Piazzolla, the trio recently appeared on San Francisco Performances’ Salon at the Rex series and has upcoming performances on series in the Bay Area and the Midwest. Mr. Sykes’ other recent activities include a Carnegie Hall recital under the auspices of the Pro Musicis Foundation; a live broadcast over WGBH, Boston Public Radio; and a tour of Chile sponsored by the US State Department. Mr. Sykes is the founder and artistic director of the Bach Dancing and Dynamite Society of Wisconsin, a highly-acclaimed and innovative chamber music festival now in its twenty-first season. He is a regular guest artist in the Cactus Pear Music Festival in San Antonio, Texas and Music in the Vineyards in Napa Valley, California; and in 2007, he served as the guest artistic director of Music in the Vineyards. He has recorded for the Albany, CRI, Mandala, Centaur, and Cactus Pear record labels. For more than twenty years, Mr. Sykes has served as the Music Director of Opera for the Young, a preeminent producer and presenter of opera for children that has introduced more than 2 million children to opera. He works extensively as a vocal coach throughout the US and teaches at the University of California at Berkeley. He joined the faculty of California State University-East Bay in the fall of 2008, where he directed the piano accompanying and vocal coaching programs until 2025. Mr. Sykes holds degrees with highest honors from the University of North Carolina at Chapel Hill and the Franz-Schubert-Institut in Baden-bei-Wien, Austria. He continued his education as a Fulbright scholar at the Hochschule für Musik in Frankfurt am Main, Germany. A recipient of the Jacob Javits Fellowship from the US Department of Education, he completed his doctorate at the University of Wisconsin-Madison.

As a world-class saxophonist/flutist, Dann Zinn is renowned for being a passionate soloist and composer/arranger. Hailed over the years as “inventive,” “distinctive,” and for “creating a stunning and emotional listening experience,” Zinn has developed a unique style distinguishing him as a one of a kind artist with a tone unlike any other horn player on the jazz scene today. Zinn’s resume includes working with Omar Hakim, Rachel Z, Peter Erskine, Mike Stern, Leni Stern, Taylor Eigsti, Terri Lynn Carrington, Allison Miller, Derrick Hodge, Joe Henderson, Freddie Hubbard, Cuong Vu, David Weiss, Dave Eshelman, Chuck Findly, Mary Wells, Martha and the Vandellas, and Barry Finnerty, among many others. In addition to his six CDs, Ten Songs, Wish, Grace’s Song, Shangri La, Day Of Reckoning, and his newest, Two Roads, his impressive discography includes over 100 appearances as a featured soloist and sideman on albums with prominent musicians. Zinn’s performances have spanned top venues including being featured at the San Francisco Jazz Festival, the Monterey Jazz Festival, New York City's Smalls, and the world famous Yoshi’s, where he has played to sold-out crowds. He has garnered critical acclaim from prestigious publications such as DownBeat Magazine, Jazz Times, Jazziz, and local media such as Oakland Magazine. Zinn’s other performance history includes television, radio, and multi media videos, and even children’s specials. When he is not recording and gigging, Zinn is teaching the best and the brightest jazz musicians in the country. He was Saxophone Instructor and Director of Jazz Studies at California State University East Bay for decades (first hired in 1995 and retired in 2024), the Director of the San Francisco Jazz Festival High School All Star Combo for 16 years, is still on the faculty of the University of California at Berkeley, The California Jazz Conservatory & Jazz School, and formerly taught at the Brubeck Institute. Zinn’s private studio is home to a list of multiple winners of full scholarships to schools such as the Boston Berklee School of Music, winners of the Jimmy Lyons Award, winners of the Downbeat best high school and college musician awards, winners of Thelonious Monk Institute scholarships, Grammy Band participants, and countless all star band members for famous jazz festivals. Some of his students include Dayna Stephens, Mark Zelesky, Chad Lefkowitz-Brown, Albert Baliwas, Jill Ryan, Natalie Cressman, Remy LeBoef, Pat Carroll, Hitomi Oba, Jesse Scheinen, Ben Flocks, and Kenny Shanker. He has also directed Ambrose Akinmusire, Justin Brown, Elena Pinderhughes, and Zach Ostroff in ensembles. ​Zinn and the Art of Saxophone, a much coveted and sought after series of six books instructing students and professionals on how to expand their playing abilities and concepts, is in its fifth printing. When Zinn tells his students they will be first chair in the All State Band by next year, he means it. He instills a work ethic in his students, which enables them to get the most out of their talent. He gives true meaning to the old adage, “How do you get to Carnegie Hall?” ​Zinn is currently enjoying the balance of his personal creative endeavors of being a composer and bandleader, as well as a sideman and teacher. He lives in Alameda, CA with his wife.

Ravenesque (2026)

Replicate March (2026)

Patricio Castellón Recipient of the 2025-2026 Glenn Glasow Fellowship

  • Jimi Cuevas, soprano
  • David Mao, tenor
  • Sarah Viscosi, flute & percussion
  • Gregory Taylor, flute & tuba
  • Jordan Walker, guitar & percussion
  • Caleb Rodriguez, piano
  • Tianyuhao Nie, drums & percussion
  • Matthew Bortz, percussion
  • Del Sol Quartet

del sol quartet

San Francisco’s Del Sol Quartet believes that music can, and should, happen anywhere - screaming out Aeryn Santillan’s Makeshift Memorials from a Mission District sidewalk or a rural high school, bouncing Ben Johnston’s microtonal Americana off the canyon walls of the Yampa River or the hallowed walls of Library of Congress, bringing California immigrant poetry to life inside the Angel Island detention barracks or the Singapore International Arts Festival. Del Sol’s performances provide the possibility for unexpected discovery, sparking dialogue and bringing people together. Del Sol has commissioned or premiered hundreds of works by composers including Terry Riley, Gabriela Lena Frank, Tania León, Frederic Rzewski, Vijay Iyer, Mason Bates, Pamela Z, Chinary Ung, Chen Yi, Andy Akiho, and Reza Vali. Many of these works are included on Del Sol’s critically-acclaimed albums. Recent recordings include The Resonance Between with sarodist Alam Khan and sitarist Arjun Verma, and SPELLLING and The Mystery School with Oakland magical-futurist pop phenomenon SPELLLING. Huang Ruo - A Dust in Time, Del Sol’s eleventh album, released by Bright Shiny Things, was described in the New York Times as “excavations of beauty from the elemental.”  The 2025/26 season includes a tour of China, with Del Sol’s first performances at the festivals in Nanning, Hangzhou, and Xi’an. Back home, they continue their groundbreaking concert series at the Angel Island Immigration Station. Returning to Columbia University’s Miller Theater, Del Sol celebrates Chinary Ung with a Composer Portrait Concert. In collaboration with San Francisco poet-laureate, Genny Lim, Del Sol creates a multi-media performance Facing the Moon - Songs of the Diaspora with new music by Vivian Fung, Theresa Wong, and Meilina Tsui. Del Sol will serve as house-band for the Korean Experimental Music Festival in partnership with the National Gugak Center in Seoul and the University of California in Santa Cruz and Berkeley. Huang Ruo’s ANGEL ISLAND - Oratorio was commissioned by the Del Sol Quartet to shine a light on local history with global implications. Supported by a Hewlett Foundation 50 Commission, the work came to life through numerous community programs, culminating in performances on Angel Island inside the immigration station detention barracks. Del Sol has taken ANGEL ISLAND around the world in productions with the The US Air Force Band Singing Sargents, Volti, UC Berkeley Chamber Chorus, Taipei Chamber Singers, Choir of Trinity Wall Street, and soloists of Santa Fe Opera. This project instigated a podcast “Sounds Current,”  which was an official selection at the Tribeca Festival 2024 and won a gold award at the Signal Awards.   The Quartet has performed at prestigious venues and festivals worldwide, including the Kennedy Center, Library of Congress, Brooklyn Academy of Music, Esplanade Singapore, National Museum of Asian Art, National Gallery of Art, Symphony Space, Miller Theater, Other Minds Festival, Cabrillo Festival of Contemporary Music, Clefworks Festival, Hobby Center for the Performing Arts, Santa Fe Opera, and Chautauqua Institution. Every spring, Del Sol and Holiday Expeditions lead five-day musical whitewater adventures along the Yampa River. At the start of the COVID-19 pandemic, Del Sol initiated The Joy Project, an ongoing series of outdoor pop-up concerts featuring short commissioned works inspired by the theme of joy. These pieces reached thousands in public spaces around the Bay Area — parks, sidewalks, open-spaces — where people could enjoy the music in the open air. Deeply committed to education, Del Sol enjoys working with young composers. Over the years, talented students they first met through workshops, coaching and residencies have often grown into valued colleagues.They especially value their ongoing relationship with the Gabriela Lena Frank Creative Academy of Music in Boonville, California.

Glenn Glasow (1924-2002)

Glenn Glasow was born in 1924 in Pine City, Minnesota. As a young man he played trumpet in dance bands in small towns in the Midwest. Becoming seriously interested in music as a career, he sought out distinguished composers with whom to study. He became a student of Ernst Krenek at Hamline University in St. Paul, Minnesota, where he received his B.A. and M.A. degrees in music. In 1954, while on a Fulbright grant to Detmold, Germany, he studied with Wolfgang Fortner, after which he earned his Ph.D. in music at the University of Illinois. His compositions include music for chorus, orchestra,electronics, chamber ensemble, and other media. Bay Areaviolinist Daniel Kobialka has recorded his composition Rakka. Composer Robert Erickson, a fellow Hamline student, invited Glasow to Berkeley in 1959 to succeed him as Music Director of Pacifica radio station KPFA. Dr. Glasow remained in that position officially until 1961 and afterwards continued to assist the station. As Music Director, Glasow interviewed John Cage, Roger Sessions and Terry Riley, as well as other noted contemporary composers, introducing listeners to new music that was then relatively unknown in the Bay Area. Dr. Glasow was Professor Emeritus of Music and Asian Studies at California State University, Hayward, where he taught from 1961 to 1995. Among his honors were an Elizabeth J. Freund Chamber Music Prize, an Institute of International Education Award, and a Danforth Scholarship gathered material that enabled him to establish innovative courses in Asian and world music at his university. His students, who came from as far away as Brazil, Italy, and fuia, found him welcoming and encouraging, and he maintained friendships with many of them for years. With Yoshiko Kakudo, Dr. Glasow translated a collection of essays by the Japanese composer Torn Takemitsu, Confronting Silence, and a book of poetry by Shozo Kajima, Evening Clearing. "He was a funny man with lots of depth. Or maybe one should say he was a man of great depth who wasn't afraid to be funny about it," said Ray Reeder, a colleague at Cal State. Fellow composer Charles Shere commented, "His intelligence, knowledge, and sympathies were demonstrable and entire. I hope this new loss to the community will alert us to the immediate need to interview-and enjoy!-such men and women ... But there are no more like Glenn." Glenn Glasow, a music educator and composer known for his wry sense of humor and his dedication to his students, died July 28, 2002 at the age of 78.

As members of the Cal State East Bay community on the Hayward campus, we acknowledge that we are guests on the unceded land of the First People of this region, the present-day Muwekma Ohlone Tribe of the San Francisco Bay Area (formerly Verona Band of Alameda County). We support the sovereignty of this Chochenyo-Ohlone-speaking tribal group and other indigenous peoples. This acknowledgment was created by the Muwekma Ohlone Tribe with the support of the CSUEB Indigenous Acknowledgement Collective and is a living document.

CREATED BY
CSUEB Music Department

Credits:

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