KIDS MEET THE MUSIC
WITH D-COMPOSED
+ SPECIAL GUEST JOSH JONES
January 17, 2026 / 2:00PM
Performance run time: 45 minutes
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About D-Composed
Special thanks to VOCEL for supporting this program with sensory activities on Lobby Level 2.
Join us for the next Kids Meet the Music: February 14, 2026
Harris Theater Mission Statement | Staff + Board | Our Supporters
This program is generously sponsored by:
Harris Theater Presents Sponsor: Irving Harris Foundation, Joan W. Harris
Additional Support by: The A. Montgomery Ward Foundation, Bank of America, N.A., Co-Trustee
PERFORMING ARTISTS
Anya Brumfield, violin
Khelsey Zarraga, violin
Wilfred Farquharson, violin
Tahirah Whittington, cello
Josh Jones, percussion
Program
D-Composed
String Quartet No. 5 "Parks" II. Klap Ur Handz by Daniel Bernard Roumain
Josh Jones + D-Composed
Young, Gifted, Black by Nina Simone arr. yelley taylor
Danzas de Panama by William Grant Still I. Tamborito: Moderato IV. Cumbia y Congo: Allegretto con grazia
Mizik Demafwa by Gifrants
Josh Jones
Solo Set
Josh Jones + D-Composed
Transitions: Family by Tahirah Whittington
Haven by Khelsey Zarraga
Artist Meet + Greet
ARTIST BIOGRAPHIES
Anya Brumfield
Anya Brumfield is a violin artist in Chicago. She received her bachelor's in violin performance in 2020 at the Jacobs School of Music as a student at Indiana University. Some of her previous instructors include teaching artist Addison Teng and string pedagog Mimi Zweig. In the Spring of 2022, Anya became a member of D-Composed; an all black chamber collective that aims to celebrate blackness through the lens of classical musicians. As a freelance musician, Anya enjoys performing different styles of music. She has worked with a variety of artists including Sudan Archives, Arthur Verocai, Ms. Lauryn Hill, and Sigur Rós.
Khelsey Zarraga
Of African American and Venezuelan descent, Khelsey Zarraga is a violinist, educator, and social justice advocate based in Chicago, IL. As a chamber musician, Khelsey is a proud member of D-Composed, an all-Black chamber music collective celebrating the works of Black composers. As a member of D-Composed, she has collaborated with acclaimed artists and creatives such as Jamila Woods, Tricia Hersey, Cheryl Lynne Bruce, Pamela Z, Nathalie Joachim, and Plinio Fernandes. She is also the violinist of Black Moon Trio, where she enjoys the exploration of new works and innovative collaboration. The trio released their first album, Principal, in 2024, and can be frequently heard on Chicago’s premier classical radio station, WFMT. Khelsey was previously the violinist and Director of Operations of Fifth House Ensemble, and violinist of Lincoln Center Stage, the Residency Chamber Ensemble aboard Holland America cruise line, in partnership with the Lincoln Center for the Performing Arts. She has enjoyed performing across Europe, South America, and the Caribbean and in venues such as the Chicago Theater, Kaufman Music Center, Sala São Paulo, Wilbur Theater, and Harris Theater. Khelsey is a mentor for the Chicago Musical Pathways Initiative and has been in residence and led masterclasses at the Jacobs School of Music, University of Wisconsin-Milwaukee, Civic Orchestra of Chicago, Connecticut SummerFest, Southeast Missouri State University, Centre College, and Denison University.
Wilfred Farquharson
Wilfred Farquharson is a violist from the Atlanta, Georgia area that now calls Chicago, Illinois his home. With his versatile musicality, he thrives as a studio, orchestral, and chamber musician. As an active contributor to the dynamic musical ecosystem of Chicago, Wilfred is a violist for the Chicago-based chamber ensembles D-Composed Chicago and Crossing Borders Music. In these ensembles Wilfred has performed to critical acclaim both nationally and internationally as well. On top of these ensembles Wilfred can be heard around the city performing and subbing with renowned orchestras such as the Lyric Opera of Chicago, Grant Park Symphony Orchestra, Chicago Philharmonic, Chicago Sinfonietta, and occasionally as the Principal Violist of the Elmhurst Symphony Orchestra. Outside of Chicago, Wilfred has also performed with the Atlanta Symphony Orchestra, Los Angeles Chamber Orchestra, served as guest Assistant Principal for the Augusta Symphony Orchestra, and many recording orchestras including the Re-Collective and Matt Jones Orchestras. Furthermore, Wilfred has performed and recorded for some of Pop’s and Classical Music’s biggest artists. Some of these artists are Ms. Lauryn Hill, John Legend, Jessie Montgomery, Rachel Barton-Pine, Sudan Archives, DRAMA, Andra Day, Robert Glasper, Burna Boy, Arthur Verocai, and Carlos Simon. Recently, Wilfred performed as part of Stevie Wonder’s Sing A Song To Fix Our Nation’s Broken Heart Tour throughout the Midwest. Beyond his performance endeavors Wilfred has an ardent dedication to nurturing and educating aspiring violists and budding artists. He proudly held a faculty position at the esteemed Merit School of Music Pfaelzer Conservatory of Music from 2022-2024 and currently serves as a mentor for the Chicago Musical Pathways Initiative. He also proudly contributed as an advisory board member for the Chicago Symphony Orchestra’s African American Network from 2022-2023. Having been honored as a Premier Young Artist awardee, he obtained his bachelor's degree from the Jacobs School of Music at Indiana University and graduated with honors from the University of Southern California for his graduate studies at the Thornton School of Music.
Tahirah Whittington
Tahirah Whittington is a founding member of D-Composed based in Chicago, IL and of Ritz Chamber Players in Jacksonville, FL. Ms. Whittington was the cellist for the Dear Evan Hansen National Tour (2020-2022) and for Hamilton: An American Musical in Chicago. Television/Film: “Beautiful Day in the Neighborhood” and episodes of “Empire”. Studio recordings: The Lion King (2019 – as a member of Re-collective Orchestra), Beyoncé’s The Lion King: The Gift, John Legend’s Big Love and PJ Morton’s Gumbo Unplugged. Tahirah performed the cello solo for Rhiannon Giddens’ “Cry No More” arranged by Michael Abels. Ms. Whittington received her Bachelor’s Degree from New England Conservatory and her Master’s Degree in Cello Performance from The Juilliard School.
Josh Jones
Josh Jones is a Chicago native and accomplished percussionist who has been playing drums since the age of three. His formal percussion studies began in fourth grade at the Percussion Scholarship Program under the guidance of Patricia Dash, a member of the Chicago Symphony, and Douglas Waddell, a member of the Chicago Lyric Opera and Grant Park Orchestra. Josh earned his Bachelor’s degree in Music Performance from the DePaul School of Music. He went on to serve as orchestra fellow for both the Detroit Symphony and Pittsburgh Symphony orchestras. From 2017 to 2022, Josh held the position of principal percussionist with the Calgary Philharmonic Orchestra, Kansas City Symphony, and Grant Park Orchestra, where he is currently based. A highly sought-after artist, Josh has been a featured soloist at Carnegie Hall and has appeared on radio and television programs. His work has been profiled in renowned publications, including the Chicago Tribune, Chicago Defender, and The Washington Post. Josh has also been the subject of three short documentaries and has performed on two Grammy-nominated orchestral recordings. Additionally, he is the author of a percussion method book series, Spatial Studies for Hitting Things. Through his website, DrumMojo.com, Josh shares educational blogs, short video lessons, and compositions for percussion ensemble and solo performance. Passionate about giving back to the community, Josh enjoys mentoring young musicians and traveling to broaden his horizons both personally and professionally.
ABOUT D-COMPOSED
Historians of art and culture may not currently take into full account that Black culture and creativity are a part of every musical institution's foundation that we currently see today. D-Composed, a Black chamber music collective, exists to ensure that we never forget it. Led by their mission to uplift and empower society through the music of Black composers, this Chicago-based creative incubator acts as a bridge between the past and present to the future of representation, music-centered experiences, and the communal power of Black composers and their impact. Music is not just solely entertainment, for this collective music is a storytelling tool that educates and inspires. Unapologetically, Blackness is at the core of their experience, with protecting, nurturing, and sustaining on the other side. In the middle lies their impact — the people who make up these experiences, whether as musicians, creatives, or community members. As a Black ensemble that focuses exclusively on the works of Black composers, D-Composed ensures to partner with institutions that have a proven commitment to communities of color. They have collaborated with Apple, Theaster Gates’s Rebuild Foundation, Museum of Contemporary Art Chicago, The Kennedy Center, Kaufman Music Center, and TEDx. While merging the worlds of contemporary music and classical, they have also collaborated with Jamila Woods during her appearance on The Late Show with Stephen Colbert and hip-hop artist Chance the Rapper. The walls that exist to keep Black people out of America’s most beloved cultural institutions are meant to be scaled and then dismantled by the creative architects who are bold enough to build against the status quo. The meaning of the collective’s name embodies that boldness in action. D–COMPOSED /DEE-KUHM-POHZD/ – ADVERB: Our creative process that involves the breaking down of preconceived notions, barriers, and opinions of what people think classical music should be, to rewriting our own narrative to reflect what the classical world could be.
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Land Acknowledgement
The Harris Theater for Music and Dance resides on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa, and Potawatomi Nations. Many other tribes such as the Miami, Ho-Chunk, Menominee, Sac, and Fox have also called this area home. The region has long been a center for Indigenous people to gather, trade, and maintain kinship ties. Today, one of the largest urban American Indian communities in the United States resides in Chicago, and members of this community continue to contribute to the life and culture of this city.
To learn more about the practice of land acknowledgement and the importance of honoring native land, visit usdac.us. The Chicagoland region is home to over 65,000 American Indians and the country’s oldest urban-based Native membership community center, American Indian Center Chicago (AIC). Visit aicchicago.org to learn more about AIC’s mission to foster physical and spiritual health in the community, an active connection with traditional values and practices, stronger families with multigenerational bonds, and a rising generation of educated, articulate, and visionary youth.
Photo Credits: Harris Theater Exterior by Hedrich Blessing. Harris Theater Nevelson Reflection by Kyle Flubacker. D-Composed by Seed Lynn. D-Composed by Sulyiman Stokes. Harris Theater donors by Kyle Flubacker.
The Harris Theater for Music and Dance acknowledges support from the Illinois Arts Council.